Free The Raven by Sylvain Reynard Page A

of salon or meeting place. Over time, it had evolved into something far less intellectual. Now it was owned by the Consilium of Florence, although it hid its ownership behind the name of a Swiss corporation.
    Florence and the other secret principalities in Europe predated the Romans. Shadow rulers and their advisers controlled the supernatural population within specific boundaries, usually cities. In the Middle Ages¸ the principalities in Italy had been organized under the ultimate rule of the King, in Rome.
    Within the borders of Florence, the Prince had absolute power. In his wisdom, he’d put in place a Consilium, or ruling council, of which he was an honorary member. The Consilium functioned like a court and would punish or banish lawbreakers. It also oversaw the organization of the underworld society and its protection, particularly against incursions from other cities or territories.
    When the Prince tired of dealing with Teatro, the Consilium took control, using it as a means of entertainment and nourishment.
    The club contained a large central space with a dance floor and a bar; two sides of the area were dotted with tables and low couches. The walls and ceiling were painted a purplish black, the lighting was sensual and sparse, and the furniture was upholstered in velvet—black or red.
    There was a stage on the other side of the dance floor that was hung with heavy red velvet curtains. The walls displayed large flat-screens, which cycled through projections of artwork and paintings in a variety of styles—all of the subjects profane, many of them sexual. From the central space, hallways led to private rooms, curving into the darkness like a spider’s web.
    The spiders of this web were the inhabitants of the underworld, with the exception of the Prince. It had been years since he’d crossed its threshold. Consequently, it was an excellent place for Aoibhe to recover her injured pride and contemplate how to change his mind.
    Her dark eyes passed over the writhing bodies on the dance floor, her mind blocking out the loud, pounding music. Her kind were sensitive to sound and she always found industrial and gothic music dissonant. It was what attracted humans, so it was what the disc jockey played. (Aoibhe would have preferred Irish minstrel music but had no success in persuading the dj to play it. Next time, she was determined to bring earplugs.)
    The bar served alcohol to the humans and drugs were freely available. Inebriated victims were easier to manipulate and confuse, but the substances affected the taste. Older, more powerful ones eschewed the usage, choosing rather to seduce or hypnotize their prey, rather than sedate.
    Some couples and small groups were engaged in various sexual activities on the couches. Blood and sex went together for Aoibhe’s kind, which meant there was a healthy amount of feeding going on as well. Her nose was filled with the various scents of individual bloods, the aroma heady and unbalancing.
    She surveyed the activities with bored detachment. She’d seen it all before and for the moment, at least, nothing interested her. Actual intercourse and certain fetishes were reserved for the private rooms, in deference to the queasiness and social mores of some of the humans. The spiders needed the humans to come in droves every night, without fear and without disclosure.
    Aoibhe didn’t care what the others did with their human pets or what they did with one another. As one of the six members of the Consilium, she was obliged to follow the rules of Teatro and see that they were enforced.
    No killing.
    No transformations.
    Feeding must be consensual but mind control and the use of alcohol and drugs are permitted.
    The last rule was a puzzle to many, but it served to maintain the seductive atmosphere. Humans were unlikely to come and offer themselves night after night if they saw another human wrestled to the ground, raped, and drained of blood.
    Mind control was ineffective on some humans.