accordion-fold lens aimed at the apple tree in the backyard, where they were gathering for the family portrait. Sweet wasn’t really Magnus’s uncle, and Sweet’s daughter, Eva, wasn’t really Magnus’s cousin. Yet Magnus had long known him as Uncle Sweet. His real name was Sigur, but everyone called him Sweet. Papa said they’d come up through school together as boyhood friends, the way Magnus was with Kiki Rasmussen, his best mate.
Sweet was a photographer, making his living by taking pictures of people and buildings. He used to have a studio and picture laboratory in Strøget, but he closed up shop soon after the Germans invaded Denmark and overran the city. Papa said this was because Uncle Sweet was Jewish.
“All together, now,” he said, motioning Magnus and his parents and Farfar to their places under the tree. “You, too, Eva. How pretty you look, with those ribbons in your hair.”
Unlike Magnus, Eva seemed to like getting all dressed up. She preened as she stood next to him. Then Uncle Sweet got into the picture, and fired the shutter with a button on a cable attached to the camera. He repeated this several times until he was satisfied.
“Good work, everyone,” he declared, clapping his hands. He had a funny grin and dark hair that stuck out over his ears. Magnus had always thought he looked like a tall, skinny clown. “I’ll go to the basement and process the plates. Eva, hang up your good clothes and finish putting your things away in your new room.”
“Yes, Poppy.” Flipping back her fat, dark pigtails, she followed him into the house.
Papa had explained to Magnus that Uncle Sweet and Eva had been put out of their house, and were coming to live with them. For safety’s sake, they had to pretend they truly were family. The photograph was meant to promote the illusion. It would be displayed on Mama’s pianoforte, along with the other family pictures.
“How long will they stay with us?” Magnus asked his mother.
“For as long as they need to, I would imagine.” Her mouth turned down at the corners. “That poor little girl. I don’t know what her mother can be thinking, abandoning her family.”
Sweet had a beautiful wife named Katya, but Magnus had always thought her a bit strange. She rarely joined in the picnics and parties with Magnus’s family, and she was always complaining that Sweet didn’t make enough money. She loved pretty things and said he never bought her enough of them.
“Does that mean Eva’s mother won’t be coming to live with us?”
Mama looked as if she’d tasted something sour. “No, she will not. She ran off with a German officer.”
“Why do you say she ran off?” he asked his mother. “Last week, Kiki and I saw her through the window of the Crown Prince tea room, and she wasn’t running.”
“It’s just an expression,” Mama said. “It means she no longer chooses to be with her family.” Her mouth turned even harder and more disapproving.
“Because the German officer can give her fancy things so she would rather be with him,” Magnus concluded, repeating a snippet of gossip he’d heard.
“As I said, I don’t know what she must be thinking. Just don’t speak of it in front of Uncle Sweet and Eva. It makes Eva very sad.”
“I would never say anything,” Magnus promised. He tried to imagine what it would be like, seeing his mother with some stranger, and a German at that. The very idea made his skin crawl.
* * *
Uncle Sweet had turned the basement into his workshop and laboratory. Magnus was fascinated by his collection of cameras, big and small, and by the workings of the darkroom. Sometimes Sweet would let him watch as he created a print, the image appearing onto the paper in the chemical bath, like a ghost emerging from another world. Most of the pictures commemorated life’s events—marriages and birthdays, new babies and commencements. Some of his clients had their pictures made with horses or dogs, or surrounded by
Teresa Toten, Eric Walters