The Orchid Affair
folds. “Yes, do.”
    Laura waited impatiently for the poet to step away from the counter, as the shopkeeper embarked upon the seemingly endless process of recording the transaction in a dog-eared ledger. Muttering to himself in rhyme, the poet wandered to the side, his nose buried in the despised poems of Porcelier. Laura could hear the occasional “Ha!” emerge from between the red morocco covers.
    Laura tugged Pierre-André out from under one of the poet’s sleeves, with which he was amusing himself by playing a private game of hide and seek among the excess fabric.
    “May I have my posy now?” he demanded.
    Laura put a hand on his head to quiet him. “Do you have any books appropriate for a child of five?” she asked the shopkeeper.
    With Pierre-André beside her, the question sounded entirely natural, not at all like a set piece she had been instructed to recite.
    Clicking his tongue against his teeth, the clerk rummaged about in an untidy pile of books. It was, thought Laura, an excellent performance. If it was a performance, that was. What if this wasn’t the right clerk?
    Well, then, Laura told herself, keeping a grip on a squirming Pierre-André, the worst that would happen would be that they would have bought a book appropriate for a five-year-old.
    The shopkeeper held up a book, squinted at it, clicked his tongue a few times more, and returned it to the pile, repeating this process before emerging triumphant with a large, ornately bound volume.
    “You might want to try this,” he suggested.
    No, no, no. Laura wanted to stamp in impatience. That wasn’t the right phrase. If he were her contact, he was supposed to say, “I usually recommend this for a child of seven,” or eight or nine, with the number representing the page on which she would find the key word that would then be used to decode the message.
    “Oh?” said Laura. “What is it?”
    Whatever it was, she hoped Pierre-André liked it, because it obviously wasn’t going to serve any other purpose.
    Placing the book flat on the counter, the shopkeeper spread it open to reveal a delicately tinted engraving of a flower.
    It was an orchid.

Chapter 4
    I t wasn’t silver. There was no such thing as a silver orchid. But it didn’t need to be. Laura knew exactly what it meant.
    A thrill of excitement buzzed through her, heady as the champagne she dimly remembered drinking back in her pre-governess days.
    “It’s perfect,” she said, and meant it. There would be no need for a page indication this time. She knew what her key word would be. “Silver.” In one fell swoop, the Carnation’s contact had confirmed his status and given her the code for the next message. “Natural history, is it?”
    “Many young gentlemen these days are taking up botanical pursuits,” said the shopkeeper blandly.
    “Young ladies, too,” Laura said, feeling positively arch.
    “So I have been told,” said the shopkeeper, with something that wasn’t quite a smile. “Some may find it unconventional, but I hear that they take to it quite well.”
    Laura felt an unaccustomed urge to grin. It was all she could do not to grab the shopkeeper by the hand and shake it, babbling, haven’t we done well? Aren’t we clever?
    Instead, she nodded crisply, tapping a gloved finger against the open page of the book. “It will be good drawing practice for my pupils. We’ll take it.”
    Without betraying any emotion, the shopkeeper closed the cover, concealing the orchid beneath a nondescript façade of blue leather. “Will there be anything more?”
    “I will also need an introductory Latin text,” said Laura. That wasn’t part of the code, but, while she was teaching, she might as well teach. It would be hard to explain her continued presence in Jaouen’s household otherwise. “Do you have the Orbis Sensualium Pictus ?”
    “The—?” The shopkeeper paused to allow her to fill in the title.
    It was a book she had often used to teach Latin before, especially to

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