reporter.â
âI doubt if he ever did believe that.â
Maria looked at him. âYou suspect him of not being fair with me?â
âWhat have you came to tell me?â
âSomething it may be very necessary to tell you if that is true.â
âWill you come back to my lodgings?â
âNo. It is safe here. IâI donât know how it is to begin.â Her thick lips, made for laughter, were pouting and strained. âYou know that Juan was trying toâmake money?â
âYes.â
âI am not quite so ignorant of it as I pretended. You know. If a man and a woman are in love, as we were, they do not have complete secrets. But it is true that I do not know much. He said it is better that I did not know much. I do not know what Juan had to sell. But I know of theâarrangements. He was crazy to paint; he didnât wish for the life of a cabaret artist; he loved Spain and wished to settle in comfort in a small fishing village in Andalusia and spend the rest of his life there. You know. That was why he did this thing. I told him often in the last weeks, go carefully; it is better to work for oneâs living in honour than to go to prison for a dishonourable thing. But he would not listen. He would say, this is my one chance; if I miss this one chance I shall be dancing until I am old.â
âSo you came to Greece?â
Maria Tolosa untied the knot of her scarf and pulled it off. Then she shook out her hair, scowling at the sculptured reliefs below the cornice of the tower, which were becoming harder to distinguish against the whitening evening sky. âHe had made arrangements. These papers he had deposited in the Banca dâEspagna in Madrid. In the bank he has a cousin. Juan was to ask from this person in Greece that a large sum of money shall be paid into his account in Madrid. As soon as that was paid in, his cousin had agreed to send these documents to him here.â
âYour husband was expecting the other side to trust him?â
âI donât know. It is that he may have had some surety which he could give them. You know. I told him; I warned him; I said, you are playing a risk.â
âWas Philip Tolosa in this?â
âHe knows the attempt to get this money is to be made. He does not know who is the man or what it is that Juan has to sell.â
âHas something else happened now?â
âYes.â
Her bracelets jangled as she sat down on a piece of fallen masonry, and after a minute he squatted beside her. The noise and glitter of the city was not far away but seemed as remote as the sea on a frosty day.
âOn Wednesday I have talked this over with Philip. We have agreed that now no question of money comes in. We are no longer wanting to sell the papers, we wish to use them. You know. That way we can get some revenge. We are agreed on that. And the only way to use them is while we are here.â
âSo what have you done?â
âI have sent for the papers.â
âTo be posted here?â
âYes.â
Gene bit his lip. She was watching him closely. â Was this your idea or your brother-in-lawâs?â
âPhilipâs.â
âAnd why have you come to me now?â
âBecause, now I have done it, I am not happy about it.â
âYou think Philip wants the papers to sell himself?â
âI am not sure if my suspicion of him is my own or whether you have planted it. But there is something very wrong with him. He isâgoing to pieces while I watch. Always he has been the high-strung kind; but now ⦠While he was persuading me to do this I thought he was upset because he was burning for revenge. Now I do not know what to think. He lies on his bed smoking all day. He has fits of trembling, trying to keep still. You know. He will not even touch his harp. At night I hear him walking about.â
âAnd so?â
âIt may be grief for his brother that is