the wine when he noticed through the window that a taxi had stopped at traffic lights. He ran out of the shop to hail the cab, but as he opened the door couldnât go through with it. He collected the wine and carried it back.
He waited in her living room while she cooked, pacing and drinking. She didnât have a TV. Wintry gales battered the window. Her place reminded him of rooms heâd shared as a student. He was about to say to himself, thank God Iâll never have to live like this again, when it occurred to him that if he left Nicola, he might, for a time, end up in some unfamiliar place like this, with its stained carpet and old, broken fittings. How fastidious heâd become! How had it happened? What other changes had there been while he was looking in the other direction?
He noticed a curled photograph of a man tacked to the wall. It looked as though it had been taken at the end of the sixties. Bill concluded it was the hopeful radical whoâd fucked his wife. He had been a handsome man, and with his pipe in his hand, long hair and open-necked shirt, he had an engaging look of self-belief and raffish pleasure. Bill recalled the slogans that had decorated Paris in those days. âEverything Is Possibleâ, âTake Your Desires for Realitiesâ, âIt Is Forbidden to Forbidâ, Heâd once used them in a TV commercial. What optimism that generation had had! With his life given over to literature, ideas, conversation, writing and political commitment, olâ Vincent must have had quite a time. He wouldnât have been working constantly, like Bill and his friends.
The food was good. Bill leaned across the table to kiss Celestine. His lips brushed her cheek. She turned her head and looked out across the dark square to the lights beyond, as if trying to locate something.
He talked about the film industry and what the actors, directors and producers of the movies were really like. Not that he knew them personally, but they were gossiped about by other actors and technicians. She asked questions and laughed easily.
Things should have been moving along. He had to get up at 5.30 the next day to direct a commercial for a bank. He was becoming known for such well-paid but journeymanwork. Now that Nicola was pregnant he would have to do more of it. It would be a struggle to find time for the screenwriting he wanted to do. It was beginning to dawn on him that if he was going to do anything worthwhile at his age, he had to be serious in a new way. And yet when he considered his ambitions, which he no longer mentioned to anyone â to travel overland to Burma while reading Proust, and other, more âinternalâ things â he felt a surge of shame, as if it was immature and obscene to harbour such hopes; as if, in some ways, it was already too late.
He shuffled his chair around the table until he and Celestine were sitting side by side. He attempted another kiss.
She stood up and offered him her hands. âShall we dance?â
He looked at her in surprise. âDance?â
âIt will âot you up. Donât you ⦠dance?â
âNot really.â
âWhy?â
âWhy? We always danced like this.â He shut his eyes and nodded his head as if attempting to bang in a nail with his forehead.
She kicked off her shoes.
âWe dance like this. Iâll illustrate you.â She looked at him. âTake it off.â
âWhat?â
âThis stupid thing.â
She pulled off his scarf. She shoved the chairs against the wall and put on a Chopin waltz, took his hand and placed her other hand on his back. He looked down at her dancing feet even as he trod on them, but she didnât object. Gently but firmly she turned and turned him across the room, until he was dizzy, her hair tickling his face. Whenever he glanced up she was looking into his eyes. Each time they crossed the room she trotted back, pulling him, amused. She seemed