Free The Lost Guide to Life and Love by Sharon Griffiths

now, working at the table by the window in my little sitting room, Jake would probably have been there, working on his own laptop or sprawled on the sofa, flicking through the news or sports channels. He’d have brought me a glass of wine, maybe a little plate of cheese and biscuits or some hot buttered toast. And when I’d finished working, I would have cuddled up against him on the sofa.
    I missed him. But was that because he was Jake, or just because he was someone, anyone, to be there? I was beginning to see that we’d just drifted into our relationship. Bits ofit had been good. And I realised—almost for the first time, that yes, he brought me toast and cheese and things—but only when he fancied them for himself. And while I worked, Jake would lie there with the TV blaring, constantly flicking between channels. But if he was working and I wanted to watch something, he’d get cross, because how could he concentrate with all that noise? So I would read a book or listen to my iPod so he could work in peace. I’d been pretty dumb, hadn’t I? Not quite a doormat, but heading that way. Silly Tilly indeed.
    I thought about it as I flexed my stiff shoulders, made my way upstairs and ran a hot, deep bath. And as I lay there, listening to the sheep—not scared at all now—I realised that yes, I was a little bit miffed that he could talk to Felicity, work with her and not me. So maybe my pride was a little bit dented. But my heart? I probed the idea and my heart like worrying a bad tooth. A twinge, maybe. But agony? No. I didn’t think so. I twiddled the tap with my toes and added a great gush of hot water and settled back comfortably. I could live without Jake.
     
The track was steep, the rain like icicles. The photographer dismounted and walked alongside the pony as they plodded up the bleak fellside and thought about the photographs he had taken that morning, an old man and a boy cutting peat. He thought he’d possibly caught an expression. He hoped so. He longed to get back to his studio, the darkroom, to find out. It was a lucky chance to find someone like that. The overseer at the small mine there hadn’t been too sure about photographs, nothing that would stop the men working. He would call back. But first he had to get into the next dale, get pictures of mines, machinery and the men who worked them.
    The path was slippery now, partly from the driving rain and partly from the mud that flowed down from a ramshackle row of cottages that seemed to have grown up from the fellside and seemed ready to collapse back into it. One or two showed signs that the inhabitants had made an effort, with makeshift curtains made from sacking, but most were indistinguishable from the midden heaps behind them. Above him he could see another house. Even through the driving rain he could see it was in a better state than the others, with clean windows, a proper path and a tidy wall providing some slight shelter for a sparse vegetable plot. A bedraggled hen squawked as a tall woman emerged from the house carrying a bucket, which she filled from the water butt with one hand, the other holding a shawl over her head. She must have sensed the photographer looking at her, for she stopped and turned.
    For a moment, despite the rain, she stood perfectly still, gazing down at him. She was straight-backed and strong-jawed, unflustered and unbothered. Her long skirt and shawl were the colours of the fellside behind her. She seemed made of the very soil and rock.
    ‘Good afternoon!’ said the photographer cheerily through the rain, touching his hand to his dripping hat.
    ‘Never so good for taking pictures,’ said the woman.
    ‘Ah, you already know my business in the dale.’
    ‘Word travels.’
    She would, he knew, make an admirable subject for his camera. Just so, with the steep and narrow track beside her and the towering expanse of hill behind. He touched his hat again. ‘Would you be interested in a photographic portrait?’ he