a strip mall up near 40th. No houses. No condos. Just grocery stores, shoe stores, a Blockbuster Video, other things like that. Inside that strip mall is a MailBoxes Etc. The address outside matches the address on the postcard. All I have for Nicole is a damn P.O. box.
Smart woman. Very smart woman.
Guess she figures if I have her home address, at some point Iâll bring trouble to her front door.
Sheâs right.
And itâs a good thing. I have a family: two older brothers, one younger, both parents living, waiting for me to come back to them with my prize. I have more accountability than I care to talk about.
I need Nicole to come back to me.
So I go back to my room, strip to my boxers, do push-ups, as many as I can, then sit-ups, and with sweat on my brow, my arms, my bare legs, I write. Put all of that emotion down on paper.
At 2 a.m. thereâs a knock at my door. Itâs Nicole. She has on blue-and-gray U of M sweats under her black leather coat. Her laptop over her right shoulder, files from work in the same hand, her black-and-white overnight bag is over her left shoulder, and a cup of Starbucks is in that same hand. She looks worn. Very worn. A candle burning at two ends. She smiles. That smile is like stars on a dark night, and that optimistic power makes me smile. Makes me forget everything thatâs wrong.
We kiss right there, before words leave our faces. We stop when her pager goes off.
I ask, âWork?â
âAyanna. Mind if I call her real quick?â
âI mind,â I say in a no-compromise tone. âYouâre on my dime.â
She smiles like she loves it when I demand her attention like that. Her bracelets sing a happy song as she comes into my world.
I ask, âWhy donât you ever take those bracelets off?â
She pushes her lips up into a schoolgirl smile. âI just donât.â
Â
We pull the curtains back so we can see the stars through the plantation shutters that divide my room. My Queen of Clean Hygiene turns on the shower as soon as she walks in, lights candles, undresses me, and we cleanse each other. She never goes to bed without a bath. We oil each other.
She asks, âHow was Andréâs show?â
âOff the hook. He asked about you.â
I tell her some of his act, the new parts. And I tell her another joke.
She frowns. âAss equals booty plus twenty pounds?â
âThatâs Andréâs equation.â
âHe is such a pig.â Nicole pauses. âOkay, which do I have, booty or ass?â
âDonât start.â
We laugh a bit.
She says, âAyanna hates his act.â
âWhat, she canât take the gay humor?â
âToo stereotypical for her taste.â
âSo, sheâs a critic?â
âAlways a critic.â
âShe drive a bus?â
âNo. Why you ask?â
âJust asking.â
âYouâve never asked about her before.â
Nicole pulls her locks back, puts on her small-framed glasses, sits in the living room section of the room for about an hour, spreads her papers out over the coffee table facing Jack London Square and reads over her work. She mumbles to herself while she reads. I do some journal writing in front of my laptop, the Leonardo da Vinci screen saver giving extra light.
When she takes a break, she asks, âYou record your signing?â
I tell her, âThe tape is next to the recorder.â
She pops it in and listens. âYou talk too fast at some points, slow down. Take your time.â
âOkay.â
âYour voice is so sexy.â
I smile. Seven years and Iâve never grown tired of her flattery. Never been bored with loving her.
At one point she rolls her eyes. âSisters take what you do too seriously.â
âGive it a rest.â
â âAre you single?â â she mocks. âWhat does that have to do with the frigginâ book?â
âStop playa
Legs McNeil, Jennifer Osborne, Peter Pavia