The Last Embrace

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Authors: Pam Jenoff
Connallys’ on my own? “I’m going out,” I called inside to Aunt Bess, who was getting ready for her Hadassah meeting. Then I closed the door before she could stop me. Pulling on my stocking cap and gloves, I hurried down the steps and ran, past the drugstore and the shoeshine boy at the corner until my feet hurt beneath the stiffness of my Mary Janes and my blouse grew damp, finding my own way for the first time.
    The sun shone down brightly on the worn pavement. But a breeze, sharp for early December, cut across the street. I walked south, past shops on the bottom floor of buildings, shoe stores and a dry cleaner’s. I turned east toward Pennsport, the Irish neighborhood where the Connallys lived. Soon the streets began to change, like an unmarked border crossing between countries. Breathless, I slowed to a walk. Though Christmas was nearly three weeks away, almost every house sparkled with lights, one brighter than the next. I passed a tavern, noisy through its open door even before lunchtime. Older, noisy boys played stickball on a corner lot. My skin prickled as I recalled Uncle Meyer’s admonition months earlier about the dangers of this strange neighborhood. Perhaps coming alone had been a mistake.
    But soon I reached the Connallys’ and knocked. No one answered. The house was usually bustling with activity, so it had not occurred to me that no one would be home. I considered leaving. Instead, I turned the doorknob and stepped inside the house, looking around the empty living room uncertainly. “Hello?” I called out. “Mrs. Connally?” I eyed the piano in the corner, as I had so many times on my past visits. I made my way toward it, taking off my coat and then stroking the keyboard. It was a grand piano, so much bigger than the creaky old upright we’d had wedged into the dining room back in Trieste. I sat and played now, a simple piece that Papa had taught me back before his arrest when he still played. The notes rose above me like bubbles.
    Hearing the door, I stopped abruptly. Mrs. Connally walked in and removed her coat, revealing her cornflower-blue dress. “Addie!” she said, taking off her hat. “I wasn’t expecting you.”
    I stood hurriedly. “I’m so sorry, I shouldn’t have come in.”
    â€œNot at all.” She waved away my concern. “We were at church for the O’Neill baby’s baptism and there was lunch and the boys stayed to help with the nativity. They should be home soon.”
Church.
The Connallys went so infrequently and so it had not occurred to me that was where they might have been. But now the word seemed to magnify the differences between the Connallys and myself, which were otherwise so easy to forget. “Do you like it?” Mrs. Connally asked, gesturing to the piano. “I had hoped one of the boys would take it up, but none of them did—they can’t sit still long enough.”
    â€œI’m sorry I didn’t ask first.”
    Mrs. Connally waved her hand. “Don’t be. It does my heart good to hear it make music again. You should come play it whenever you want, and I hope that will be often. I’m going to change out of my good clothes. Why don’t you play something else for me?”
    I sat and began to play again, “Torna a Surriento,” a song that Papa knew could always get my mother to smile. Once I had struggled with the notes, but now my fingers seemed to move of their own will, as if he was here, leading me. I finished the piece, the last notes echoing through the house.
    There was a noise behind me and I looked up, expecting Mrs. Connally. But Charlie stood watching me from the doorway, more handsome than ever in his navy church suit. How long had he been there? Our eyes met. Several seconds passed, my throat too dry to speak.
    He took a step toward the piano bench. “Hey.” Something seemed to shift with that single word, in the quiet

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