side, too. âNot out loud.â
She let it slide. âHoney, you donât have to carry the whole thing.â
âYeah, but I can. You get the bags. Those are easier. Let me get these.â
âYouâre a sweet one.â
He nodded, and set off for the house. âThatâs what they tell me.â
She watched him leave, and looked over her shoulder toward the graveyard. It wasnât much of a yard. It was barely a field anymoreâif you didnât know what you were looking for, youâd assume it was another derelict corner of the property, with nothing of note worth mentioning. But sheâd seen something there, hadnât she? Something had called her attention to the irregular square, this patch of grass that was left to go wild like the rest of the place.
A yellow dress. Flowers.
The sense of something billowing in the early October breeze. That didnât make sense though, not really. Yellow cotton and flowers are for April, or maybe May. Yellow flowers were for months with a girlâs name, not for Halloween.
She stared hard. Whatever sheâd seen, it didnât reappear.
The bags in the back of the truck held canned groceries and sodas, batteries, toiletries, towels, soap, and all manner of things youâd either bring camping or expect to find in a hotel. Everyone had at least an individual duffel bag and a sleeping bag, but the rest was expected to be communal. She decided that the boys could drag their own personal items inside, and sheâd go ahead and get set up the rest.
Back in the house, she found Gabe standing in the great common area, or living room, or whatever youâd call itâthe open place just past the foyer. He was staring up at the grand staircase, specifically at the platform where the staircase turned. A cooler sat in the dust by his feet.
âEverything all right?â she asked.
He looked startled, like he hadnât heard her clomp up the porch stairs lugging duffels and grocery bags. He pulled off his old brown trucker hat and tweaked the visor in a weak, nervous gesture, then put it back on. âItâs all good,â he drawled. âI was just wondering ⦠I donât know. Dahl, you didnât see Brad or my dad leave the carriage house, did you? Before they left for lunch, you know.â
âExcept for hauling things outside, no.â
âThen itâs ⦠I mean, look at them footprints.â
âGabe, weâve gone over this already. Those are my footprints, from when I first came inside to look around.â
He shook his head. âYeah, you said that about the ones in the floor, in that weird figure eight. But you didnât bring high heels, I bet.â
âSure I did. I need the added height for pulling down corner blocks.â
âDonât bullshit me, Dahl. See over there, and tell me it donât look like someoneâs been running around in high heels.â
âFine.â She set the bags down on the floor beside Gabeâs cooler, and followed his gaze to the stairs. It did indeed look like a small army had marched up and down them, but four peopleâs footprints could do that. It wasnât a mystery. âI donât see anything weird.â
âLook closer. Look higher , up at the landing. I can see it from here.â
âYou and your tall-ass self,â she mumbled. âAll right, Iâll go see.â
She climbed to the landing and stopped, looking down at the dusty, dark wood.
âYou see them, donât you?â
Dahlia didnât like the soft urgency in his voice. He was unhappy about something, and he wasnât really saying what. âI see ⦠all right, it looks like footprints up here. But itâs just some of ours, making a funny pattern. Thereâs a couple of smudges, butâ¦â Like a person had been standing there, looking over the rail. A person wearing chunky high heels, maybe the