and clumps of people hover around the flames. Out here, away from the music, the geese chatter nosily to each other, unaware the nighttime belongs to their human neighbors.
I see Tommy immediately, his hair curling at the nape of his neck. As always, the questions slither into my brain and refuse to leave. Did my mother wrap her fingers around those curls as she kissed him? Breathe in the scent of his hair as she pressed her bare breasts against his back?
He faces the fire, his hands shoved into his pockets, deep in conversation with someone hidden behind his broad shoulders.
I straighten my spine and walk toward him. My toes slosh in my sneakers in the same way that my stomach tilts from side to side. Am I really going to do this? Confront the boy who drove my mother to suicide?
The kaleidoscope of emotions hits me at once. The crawl-into-a-hole despair of what my mother did. The white-hot rage that she abandoned me. Even the deep, pervasive knowledge that she will never yank the comforter off my bed, when Iâve hit the snooze button too many times, ever again.
I let the emotions override the doubt, and before I know it, Iâm tapping Tommy Farrow on the very shoulder my mother may have nibbled.
He turns, and the features of his companion come into focus.
Good god, itâs Mackenzie freaking Myers. Why is she talking to him? I thought she couldnât stand him.
Her eyebrows shoot into her widowâs peak, and her mouth hangs open. Looking at the gap between her front teeth, I realize: She could say the very same thing about me.
Before either of us can speak, Tommy grabs my hand. âIâve been looking for you everywhere,â he says, not using my name. Does he even remember it? One thingâs for sure. Iâm the âsheâ to whom he was referring. Thereâs something he wants to tell me. Something I deserve to know.
âCan we go someplace quiet to talk?â I ask.
âThereâs nothing Iâd like more,â he slurs. Without another glance at Mackenzie, no good-bye, nothing, he pulls me from the bonfire.
Mackenzieâs eyes blaze. But sheâs not the only one whoâs pissed. We havenât gone two steps when weâre intercepted by Tommyâs watchdog.
âYou donât have to do this.â Justin spreads his legs, blocking our path. âYour mind is telling you things it doesnât mean. Things youâll regret in the morning. Let go of the girl, and come with me.â His voice is slow and deliberate. The kind you use to talk a suicide jumper off the ledge.
âItâs past time,â Tommy mumbles. âAlmost six months past.â
Every hair on my neck stands up. I donât care if heâs incapacitated. If he wants to talk to me, it has to be about my mother. Right?
Justin rips him from me and shoves him toward one of their brawny friends. âGet him in the car, where he canât hurt anyone. Iâll deal with him in a minute.â
âBut I need to talk to her,â Tommy whines as the friend leads him away. âI NEED TO.â
âThatâs not Tabitha, you fool!â Justin shouts after them. âItâs her daughter!â
I wrap my arms around my body, squeezing my ribs through the hoodie. Oh. Is that what this was about? Tommy wanted to talk to me . . . because he thought I was my mother?
Too late I remember Iâm wearing the dress we used to share. My hair, as dark as hers in the black night, swirls around my shoulders. If she werenât decomposing underground, I could be my motherâs much-younger twin.
Justin turns to me. His face is a grotesque puzzle thatâs been put together all wrong, and I can tell heâs going to be mean. Meaner than usual. A meanness thatâs been saved up, festering on a shelf.
âYou girls are only good for one thing,â he rasps. âBut I donât need you around to pull my dick when I can do a better job myself.â
I
Christine Zolendz, Frankie Sutton, Okaycreations