crazies?â
I ran through my almost nonexistent caseload. Two skip-traces that would be speeded up by the acquisition of the computer. One inconclusive store surveillance, possible clerk theft.
Phil Yancey.
âMaybe Roz is jealous,â Sam suggested.
âYou think sheâs got the hots for you?â
âThe shrink next door. I think heâs got the hots for you.â
âWhen Roz wants me dead, sheâll poison leftovers in the fridge. Did you see the guns sticking out of that van? Like Prohibition photos.â
I turned onto a dark lane off Centre Street.
âGas station with a pay phone three blocks from here,â I said, pulling over and parking behind a gray Nissan Stanza.
âGood. Letâs go,â Sam said.
âFirst, you tell me whose car this is. Chances are the cops will get the plate number. And somebodyâs gonna talk, and weâre both gonna get roasted. Iâve got my P.I. license at stake. Iâm supposed to report crimes, not assist cover-ups.â
âYouâve never kept anything from the cops before, Carlotta?â
I didnât bother with a denial. âThe best thing we can do is call the policeââ
âThe carâs expendable.â
ââExpendable.ââ I bet Papa Gianelli used that word a lot. âFrankâs the most likely target, Sam. Whyâs he living in a slum like that?â
âLetâs get to the gas station,â Sam said impatiently. âIâll carry the computer stuff. Weâll call Gloria and sheâll send a cab.â
âFor chrissakes,â I said. âYouâre hopeless. Good thing you didnât go into the family business. If weâre not gonna report this, at least we gotta wipe our fingerprints off the goddamn steering wheel.â
If youâre going to break the law, do it right.
NINE
â Theater is life .
Film is art .
Television is furniture. â
Roz, my delightful tenant, has taken to adding words to her artwork, black graffiti surrounded by swirling orange, green, and fuchsia acrylics. She field-tests her paintings by hanging them near my bed, the idea being that if I donât puke when I see them, she might be able to sell them. Possibly she considers them more saleable if I vomit.
She snitches most of her slogans from daytime TV soaps: âCan Catherine prove sheâs Dominicâs ill-fated half sister?â âLuke and Laura ponder home decoration.â She uses TV commercials, too, did a whole series based on âItâs not your fatherâs Oldsmobile.â She despairs of Reebok, insists they parody themselves too perfectly for commentary.
The theater, film, and television poster is what I saw when I came out of a sweaty nightmare. I liked it enough to wonder if sheâd give me a discount.
I could lie and say that yesterdayâs shooting was like a dream. It wasnât. It was for sure the hell real. I had achy knees and a black-and-blue spot the size of a silver dollar where Samâs elbow had caught me between the ribs. And a king-size case of the guilts, worse than any hangover.
A hangover, you drink a quart of O.J., step under a cold shower, hit the Y, play volleyball, swim twenty laps. If you donât die, youâre cured. The guilts are worse. They require confession, particularly if you grew up in a Jewish-Catholic family. Probably the only thing my mom and dad agreed on was the vital importance of guilt.
O.J. and a cold shower had no effect.
As soon as I went downstairs I spied last nightâs spoils, the hardwareâkeyboard, computer, and screenâon my desk. I mentally tagged them Exhibit A.
I snagged the plastic-bagged morning Globe off the snow-covered stoop and spread it across my desk. I drank more orange juice, from a glass this time.
The cat, T.C., rubbed against my ankles. I didnât respond with food, so he stalked off in a huff.
The drive-by hadnât made the front