artfully cloistered between and around paler, softer buds, dense and precise.
âThere are over a hundred flowers in here and the vase is stunning. This mustâve cost a fortune.â
âItâs heavy enough.â
âThank goodness I didnât handle the order. I wouldnât have imagined anything like this.â
Sid dropped into his desk chair and rolled back a few feet to see the flowers from a distance. âWhat would you have chosen?â
âI guess looser, wilder ones in softer tones. Like a garden all mixed together with greens and grasses, maybe in a silver vase.â
âIt sounds beautiful and just like you. Thatâs the secret of design, you know, to listen and to look. You have to find what excites a person, brings her alive, and lets her feel safe and yet . . . exotic. Itâs easy to build a showpiece. Harder to create a home.â He rolled himself toward her, dangling the bag from his fingers. âAnd here you go for your own home, the remnants from the Saltner job. There are some gorgeous ones in there. Youâll need to show me your project soon.â
âI will.â Lucy smiled warmly. She knew Sid would appreciate her panels and understand them. âWhen itâs finished, youâll be the first.â
Sid studied her. âIâve got another surprise for you too.â
Lucy looked down at herself, following his line of sight. She was wearing black heels, buffed and polished. Black tights. Pale lavender velvet skirt, circa 1960s, but perfectly tailored and ending precisely midknee. Thin, black cashmere sweater, sleek and tucked in. The straightened blunt ends of her ever-present low ponytail lying over her shoulder. âWhat?â
âItâs like the flowers. Youâve found what suits you. Four years ago, you interviewed in jeans, gray wool Converse, and a sweatshirt. Now I find a poised woman before me, dressed with the quality and understated elegance of an antique, and I know sheâs ready for this surprise. Ready for her first consulting trip.â
âA trip?â
âHelen Carmichael called my cell about half an hour ago. Sheâs planning a shopping excursion to London and needs a consultant.â Sid squeezed her hand. âYouâre up.â
âLondon? She was here this morning; Iâm meeting her at her apartment tomorrow. She said nothing about a trip.â
âShe mentioned that. She wanted to clear it with me, as your boss, first.â
âI donât know, Sid.â Lucy took a step back and felt her hand reach up and circle her neck. âSheâs Jamesâs grandmother.â
âWhat?â Sidâs eyebrows shot up toward his forehead. âHow could you not tell me this? Really, Lucy, youâve been holding out on me.â
âI did tell you; youâve forgotten.â
âGood thing, too, because now I get to enjoy it all over again.â Sid rubbed his hands together. âThis is getting interesting. Better than one of your novels, I think.â
âCall her and tell her you canât spare me.â
âWhy? You and James are adorable.â
âAnd heâs not speaking to me. We broke up.â Sid opened his mouth, but Lucy cut him off. âPlease donât make me talk about it.â
Sid watched her for a moment before replying. âWhat happened?â
Lucy gripped her shoulders tight. âWill you call her?â
Sid rolled away again and crossed his arms over his chest as well. Lucy knew he was considering the situation, considering her.
âSid?â
âI wondered what was different. Youâve been so happy and open. So very creative lately. Havenât you felt it?â He circled a finger as if drawing on her face. He rolled a few feet closer. âIs it more than James?â
âWhy would you ask that?â
Sid flicked his head like he was trying to catch a fleeting thought or a burst of light. âI