The Conversations (New Directions Paperbook)

Free The Conversations (New Directions Paperbook) by César Aira

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Authors: César Aira
them, too, the rush of fiction came to interrupt the syllogisms of reality. A noise coming from the nylon tubes warned them that they were being attacked by electric weapons. In fact, the young agents who were sleeping were awoken one after the other with hundred-thousand volt charges in their blood and died with their hair standing on end. The two of them organized an emergency rescue mission, which could not save those who were already dead. They connected a portable converter made of optical fibers, booted up the software, and when they turned on the siren (the maneuver took only a few seconds), all the loose electricity in the atmosphere discharged in the generation of inoffensive images. Th e tents exploded in a cloud of transparencies, but they managed to escape. They ducked and rolled into the darkness, and when they stood up, they took off running desperately through the mountainous terrain. They were chased by gigantic bearded Cossacks shooting streams of liquid fire at them from their sleds. Th e scientific consultant, who was panting like an overweight Labrador retriever, took the time to tell his friend that the Cossacks’ ammunition was made of exo-phosphorus, the latest hurrah in incendiary fuel, which burned only on the outside, not on the inside, but this made it no less destructive, quite the contrary.
    They received unexpected help from the mountain owls, huge phantom-like creatures who, frightened by the noise made by the sled, took off in flight and intercepted the exo-phosphorus. As the fire wasn’t interested in their internal organs, they kept flying, though lower down (the flames must have weighed them down). They were so bright that they blinded the Ukrainian ogres, who crashed into trees, giving the fugitives an added advantage.
    By pure chance, Bradley came across the entrance to an ancient and abandoned coal mine. They entered its underground galleries without thinking twice. They used a burning owl feather sprayed with exo-phosphorus to light their way, for it gave off an intense white light. Calm was restored; here, they were safe. It was as if they could pick up their conversation where they had left off, now no longer in the inflatable tent surrounded by espionage equipment but rather in the galleries of an underground coal mine filled with feldspar and old lichen. I liked that touch, because it suggested that in reality conversations are never interrupted, they merely change scenarios, and change subjects, and in order to bring about that change the interlocutors have to risk their lives.
    They ended up in a huge cavern, the limits of which they could not even see, and they approached a lake of still water. Along the banks, magnetite dust had formed piles of black foam. A regular “glop glop” in the deep underground silence made them peer out along the surface of the water; there they saw floating medallions made of a viscous substance, which seemed to be breathing. Taking every precaution, they picked one up and examined it in the light of the owl feather. Th is was the toxic algae, which they had been looking for in vain until that moment and by chance had found where least expected. Excited, having totally forgotten the danger they had just confronted, the scientific consultant analyzed the viscous material, mentally reviewed the bibliography, gasped a “No, it can’t be!” which refused to cross the bounds of rationality, then resigned himself to a perplexed and awed “But it is!” By revealing their secrets, the toxic algae opened up a path until then concealed from science, which gave access to the best kept secrets of the universe, because in reality they were not algae but rather retro-algae, vegetal mutants with nervous systems, which formed a bridge between life and death. He wondered if he was dreaming.
    With a little effort on the part of the viewer, I said, the oneiric atmosphere became palpable. I pointed out to my friend and perfected the argument ever so slightly alone

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