supposed to be angry. You should be pointing at the door when you tell me to go, and you never, never, never end by saying please. It sounds like youâre asking permission to go to the bathroom. Trust me. Iâve been thrown out of better offices than this. I have a lot of experience. I know what Iâm talking about.â
âThanks for the dramatic critique,â I tell her. âNow you can go.â
âThatâs better,â she says. âI mean Iâm still not convinced that youâre about to turn the desk over on top of me. But at least you didnât say please. Itâs a step,â she says.
I stand there looking at her. Iâm not sure whether to laugh or cry.
âNow Iâve hurt your feelings,â she says. âIâm sorry. I didnât mean to. Listen, it was cute. Really. And Iâm flattered that youwould do it for me. To take the risk, I mean, to put yourself out there like that. That takes a lot of courage. Let me guess. Iâm going to bet that you donât have a lot of authority with little children or dogs. Am I right?â
âNow Iâm starting to get angry,â I tell her.
âGood,â she says. âIt has to be real. It has to come from the gut or no oneâs gonna believe it.â
âI want you to go.â I point toward the door.
âYes, but how badly do you want it? I donât see any real passion.â
I try to hold a stern expression but I canât. I start to laugh.
âThere you go,â she says. âBack to my question now about children and dogs.â
Iâm shaking my head as I laugh. Sheâs destroyed me.
âI thought so. They have a sixth sense for false anger. They can read it in a heartbeat.â
âIs that so?â I slump back into my chair.
âChildren just laugh, but dogs will try to take advantage of you. Theyâll turn you into a littermate.â The laugh lines come to life deep within her tawny complexion as she smiles at me.
âIâm not your enemy. Believe me. You can call the police and have me thrown out, or have me arrested if it makes you feel better, but do me the courtesy of answering at least one question.â
I would ask her what, but sound judgment tells me not to.
âI want to know why you havenât told the press or the public what you know about the events in Coronado. Why you havenât made any public statement about what was on that truck. You see, we already know the device was nuclear. What we donât understand is why you havenât said anything. People need to know how close they came. The next time they may not be as lucky.â
âI donât know what youâre talking about.â
âActing talent and confidence skills come from the same area of the brain,â she says. âYour gifts must be elsewhere because you donât lie very well either.â
âNow thatâs something you would know about,â I tell her.
âThey put pressure on you, didnât they? The FBI, NSA, the Justice Department? Theyâve threatened you, to keep you quiet. What did they say?â
âIâm practicing being silent and steely eyed,â I tell her.
âYou can trust me,â she says.
âOf course I can. You come with such sterling credentials.â For all I know she could be working undercover with Thorpe, sent here to test me, to see if Iâll talk. The way sheâs holding her briefcase under her arm, pointed at me, it could easily be concealing a digital minicam and a mic. My face might be playing on a television at this moment in the back of a government van parked out in front.
She notices me looking and glances down at her bag. âAh. I see. You donât trust me. Youâre a careful man,â she says. âThatâs good. Here.â She opens the briefcase, pulls out a file, two pens, a yellow notepad, and a small case for eyeglasses. When she opens the