Miles, my other hand reaching up to his neck, fingers brushing his hair, breath steadying. My eyes open and follow my hand down our path. âThat way.â
âYou sure?â he whispers, hands coming fully around my waist turning me to face him.
I catch him calculating our route in his head, brow creasing. âDonât think,â I whisper. With a finger I erase the horizontal lines across his forehead. âPlease, just trust me. Whatever the night brings.â
His grip tightens around my waist. A silent yes.
W E STEP BACK out onto the streets, feeling the beat of something just around the corner. Milesâs phone buzzes again. I pull it out of his reach.
âNo phones.â
âNo phones?â
âNo interruptions, just you and me and New Orleans.â I hope my tone is as playful as I feel.
He turns the phone over in his hands. âOkay, but I gotta tell Taj and D.â He types something quickly and turns the phone off. âWeâll need a meeting place. Something popular, like Jackson Square.â
âWhy?â
âIn case we get separated.â
âPlanning on running again?â
He squeezes my arm, and I squeeze back before I have time to think about it. His touch is warm and welcoming despite the heat.
âOnly if you run with me.â
I Am That Merry Wanderer of the Night
The world it jests
it plays for bets.
It takes a soul
or two at best.
So quell your fears,
and take flight
letâs be wanderers
just for tonight.
Come, come away,
to the evening that awaits.
Come, come away,
to the evening that awaits.
Pack your troubles
though they wail and storm
tonightâs for lovers
no room for scorn.
And when she drinks
against her lips
the night alight on her fingertips.
So quell your fears,
and take flight
letâs be wanderers
just for tonight.
Come, come away,
to the evening that awaits.
Come, come away,
to the evening that awaits.
Never waste
a single breath,
a night to wake
no time to fret,
a night to live,
a merry wanderer ready to forgive.
The Holy Name of Jesus
L OYOLA C ATHEDRAL IS OPEN, AND IT SHOULD NOT BE. T HIS FACT is a very welcome development, since Miles and I have just escaped from the clutches of several very drunk frat-boy types whose idea of a costume is simply to unzip their pants. Granted, the having to escape part is my fault; sarcasm and a manâs penis size donât go hand in hand . . . so to speak.
They are about a block behind us, and I make the mistake of turning my head to see where they are. The most vocal of the four catches my eye and attempts to smile, but it just looks like heâs unsure of whether or not he has to vomit. This doesnât stop him from shouting in my direction.
âOffer is still open, baby-uh-cupcakes-and-cream-heart.â He reaches down to grope himself. I stick my pinkie finger up in the air, wiggle it, and shake my head.
Overall not my best idea.
Hence I am more than elated that the Holy Name of Jesus Parish (official name) is open even though the last Mass was at six that evening. Perhaps itâs open all the time. My church back home started locking its doors around eight after a particular set of rowdy teens decided to have a midnight rager.
I wish I knew more about architecture. Words, anything really, to describe what Iâm seeing. The only word I can think of is breathtaking.
The temperature shifts as we enter and quietly close the doors behind us. My eyes travel to the large stone pillars and up to the arches and the expansive ceiling, perfect for sound to bounce back and forth. Stained glass captures the lamplight from the outside, bringing the stories to life.
The squeak of our sneakers travels up and up, fading as we walk. There are no other sounds; the silence makes me nervous after the vibrancy of the streets. My memories threaten to slip out without the Mid-Summer energy to hold them in. I concentrate on how the light radiates from
Liz Kenneth; Martínez Wishnia