room downstairs, where the carousing continues. âThe widow Agnes has taken to crossing herself when you pass by.â
âIf you wish to speak to me, come inside,â I say quickly, opening the door to my room. Rye slips in behind me. I close the door and bolt it.
I light the candle in the wall sconce nearest the door. The room is small and spare: a cot, a dresser, and a washbasin.
I turn to him. âI am sorry I cannot offer you a chair.â
He laughs. âYouâre not afraid of me at all, then?â
âNo.â I speak softly, for the walls between the tiny rooms are thin. âIn fact, I feel safer with you here.â
ââTis a sweet thing to say.â His voice softens, too. âAnd you are a sweet woman, I think, sweet and warmhearted, underneath that pretty face that never smiles.â
âIs that why youâve come â to make me smile?â Somehow the words come out sounding like an invitation, but he does not move.
âI came to give you a warning. Be careful of that lot downstairs. I donât like the way they talk. Especially that woman Agnes. Sheâs got her eye on you. Sheâs got mischief planned.â
âThank you,â I say, meaning it. âYou are a gentleman to tell me so.â
He laughs. âEasy, now! Iâll not be accused of gallantry. I wonât lie; thereâs another reason I came, too. The truth is, I have a fever, Rowan,â he says, and I startle, for I have done nothing to reveal my healing skills to these people.
âWhat sort of fever?â
âLove, I think.â His eyes search mine. âOr its close cousin, anyway.â
The room sways again. Is it the drink? The late hour? The dance of candlelight in this tiny, cloistered room? Or is it Rye himself: the way he has sought me out, speaking gently, protectively, making me realise how desperately alone I am?
All I know is that his murmured words and warm-blooded presence have kindled an answering warmth within me. I lift my gaze to his. He sees at once what my eyes reveal; I hear it in the change of his breath.
He makes no step toward me but reaches out with one hand. He smoothes my dark hair away from my face, caresses the rim of my ear, traces the line of my jaw to my chin. Cradling my face in his hand, he brushes the curve of my lower lip gently with the tip of his thumb. As if obeying some unspoken command, my lips part, my pulse quickens. Still he does not move.
All at once, it is I who long to kiss him.
âWho are you, Rowan?â he says. âYouâre younger than you look, I think.â
âI am old enough.â I let my hands float up either side of him, skimming his strong arms. Gnarled with muscle, hard as packed earth, skin warm as a woodstove beneath the rough fabric of his shirtsleeves.
âOld enough for me? I wonder if you are. I wonder why youâre running, and what youâre running from.â He gathers up my hands in his and lifts them up, as if to kiss them. Instead he holds them to the light of the candle. âOld enough to be a liar, anyway. These are no seamstressâs hands.â He turns my palms upward. âMore like a farm girlâs. These hands know the feel of dirt, Iâd wager. Of good rich earth.â
He comes closer still and leans his face down to mine. The slow tenderness of his kiss shocks me, and he pulls away long before I am satisfied.
âYou are running, arenât you?â
I stay silent, but my breath comes quick. He smiles.
âTell me the truth and Iâll kiss you again. Are you running from something?â
âYes.â
âFrom what?â He draws me close. His cheek is rough and hot against my skin. âDid you flee a wicked husband? A crushing debt? A mistress who treated you like a slave?â
âI have done murder,â I whisper. I know he will think I lie, but a mask made of truth is often the best disguise. I offer him my
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