its green currents,
the spool of the sun in its dawning.
It could easily be a shawl of light
placed around a womanâs shoulders
as she rests beneath a mimosa,
unaware of a seed drifting high
above her on the green undersurface
sky of July. See how the green fronds
of the rain unfurl, spooling away
in the oceanâs current. Look again.
A crack appears across the universe
of a buoyant pod. The first throb
of the seedâs green fire is dawning.
THE BODY ENTIRE
Once I saw a field of bluebonnets and fiery
paintbrush so solid with flowers it seemed
to be a surf and sea crests across which a ship
might sail petal by petal like a shadow passing
across an otherwise unbroken evening.
And I was the field, blue crests, stem
fire and surf. I was the shadow ship.
I was the evening passing. Everything
there in those moments was as inseparable
as the rhythm of the sea is inseparable
from the words of an old chanty sung
long ago by seamen inseparable
from a time no one now remembers.
At the shallow edge of a pond, I watched
an underwater nest of floating jelly-pod eggs,
a translucent, swayable heaven holding a thousand
eyes, bold dots of black, all seeing with one
flawless sight, and I was their vision.
I remember flying a summer migration,
each of us the flock indivisible, headed north
to breeding grounds. Paradise: our silver
feathered bodies, hearts and bones, solely
identical, all separate calls one single
sound emphatic. Our open wings were
the wheel and purpose of the sky turning
the earth exactly like the stars do.
That leaf indistinguishableâor that one
or that one, each magnificently anonymousâ
is bound as an entire mountainside of autumn
aspen. Each yellow spinning is the piece
and the whole of the standing forestâalone,
unique, synonymousâmoving with the Moving
that moves the aspen-altered wind and me.
HAIL, SPIRIT
A weaver, this spider, she plays her eight thin
black legs and their needle nail toes across
the threads faster, more precisely, than a harpist
at concert can pluck the strings in pizzicato.
Although blind at night, she nevertheless
fastens a thread to a branch of chokecherry
on one side of the path, links it to a limb
of shining sumac opposite, latches the scaffold
to ground stone and brace of rooted grasses.
And the structure takes dimension.
Skittering upside down across and around,
she hooks the hooks, knots the widening
spirals, the tightened radii, orbs and hubs,
bridges and bridgeheads. We can never hear
the music she makes as she plucks her silk
strings with all the toes and spurs and tarsal
tufts of her eight legs at once. She performs
the reading of her soul.
Oh, remember how vital her eyes, the eyes
of her gut, eyes of her touch gauging the tension,
her eyes of gravity and balance, of purpose,
steady eyes of reckoning. Donât miss
the moment when she drops, a quick grasp,
catches, swings forward again. An artiste.
She expands the sky, her completed grid
a gamble, a ploy played on the night. The silk
is still, translucent and aerial, hanging in a glint
of half-moon. The work is her heart strung
on its tethers, ravenous, abiding.
SCARLATTI SONATA TESTAMENT
Listen . . . all white foxes, all white owls, all snowy
silver geese. Attend . . . all casual fish holding on
in the icy beads of a silver current. Snow leopards,
white bears, silver baboons, mottled white mice nosing
at autumn seeds . . . pause in unison, lift your heads.
Still your wings and heed . . . silvery blue moths fluttering
like flakes of moon. Long-haired, spike-horned goats
on precipitous cliffs, white spiderlings floating
mid-cloud . . . take note and remember.
Each barb
of every feather, every black-tipped ivory hair, every
luminous scale and fan-like fin, each knuckle of spine
and nail, each red drop at the pith of the marrow,
at the root of all glare and mettle,
every breath