her delicate hands
Weave back and forth.
I feel the seasons changing beneath me,
Under the floor.
She is braiding the waters of air into the plaited manes
Of happy colts.
They canter, without making a sound, along the shores
Of melting snow.
JAMES WRIGHT
Excerpt from “The Ivy Crown”
At our age the imagination
across the sorry facts
lifts us
to make roses
stand before thorns.
Sure
love is cruel
and selfish
and totally obtuse—
at least, blinded by the light,
young love is.
But we are older,
I to love
and you to be loved,
we have,
no matter how,
by our wills survived
to keep
the jeweled prize
always
at our finger tips.
We will it so
and so it is
past all accident.
WILLIAM CARLOS WILLIAMS
Habitation
Marriage is not
a house or even a tent
it is before that, and colder:
the edge of the forest, the edge
of the desert
the unpainted stairs
at the back where we squat
outside, eating popcorn
the edge of the receding glacier
where painfully and with wonder
at having survived even
this far
we are learning to make fire
MARGARET ATWOOD
Animals
Have you forgotten what we were like then
when we were still first rate
and the day came fat with an apple in its mouth
it's no use worrying about Time
but we did have a few tricks up our sleeves
and turned some sharp corners
the whole pasture looked like our meal
we didn't need speedometers
we could manage cocktails out of ice and water
I wouldn't want to be faster
or greener than now if you were with me O you
were the best of all my days
FRANK O'HARA
Earthly Love
Conventions of the time
held them together.
It was a period
(very long) in which
the heart once given freely
was required, as a formal gesture,
to forfeit liberty: a consecration
at once moving and hopelessly doomed.
As to ourselves:
fortunately we diverged
from these requirements,
as I reminded myself
when my life shattered.
So that what we had for so long
was, more or less,
voluntary, alive.
And only long afterward
did I begin to think otherwise.
We are all human—
we protect ourselves
as well as we can
even to the point of denying
clarity, the point
of self-deception. As in
the consecration to which I alluded.
And yet, within this deception,
true happiness occurred.
So that I believe I would
repeat these errors exactly.
Nor does it seem to me
crucial to know
whether or not such happiness
is built on illusion:
it has its own reality.
And in either case, it will end.
LOUISE GLÜCK
The Journey
Anghiari is medieval, a sleeve sloping down
A steep hill, suddenly sweeping out
To the edge of a cliff, and dwindling.
But far up the mountain, behind the town,
We too were swept out, out by the wind,
Alone with the Tuscan grass.
Wind had been blowing across the hills
For days, and everything now was graying gold
With dust, everything we saw, even
Some small children scampering along a road,
Twittering Italian to a small caged bird.
We sat beside them to rest in some brushwood,
And I leaned down to rinse the dust from my face.
I found the spider web there, whose hinges
Reeled heavily and crazily with the dust,
Whole mounds and cemeteries of it, sagging
And scattering shadows among shells and wings.
And then she stepped into the center of air
Slender and fastidious, the golden hair
Of daylight along her shoulders, she poised there,
While ruins crumbled on every side of her.
Free of the dust, as though a moment before
She had stepped inside the earth, to bathe herself.
I gazed, close to her, till at last she stepped
Away in her own good time.
Many men
Have searched all over Tuscany and never found
What I found there, the heart of the light
Itself shelled and leaved, balancing
On filaments themselves falling. The secret
Of this journey is to let the wind
Blow its dust all over your body,
To let it go on blowing, to step lightly, lightly
All the way through your ruins, and not to lose
Any sleep over the dead, who