the police catch up with you, Mr. Courtland.â
âHell,â said Doc Williams, âif it ainât his sister the policeâll never see him again, and if it is he can explain he didnât want to get mixed up in the thing until he was sure.â
Crane asked, âHow are you going to find out if it is his sister or not?â
âThatâs up to you.â The lid dropped over one of Williamsâ bright eyes. âMaster Mind!â
Courtland said, âIâm almost sure it isnât Kathryn, after all. You see, I hopped over to the hotel the woman was staying in to look at her clothes. That captainâââ
âGrady,â said Crane.
âYes, Grady. He took me over to see if I could identify anything. We had some trouble getting into the room (I think a sneak thief was supposed to have been inside and to have jumped out the window when we tried the lock) and the police had to break down the door, but I examined all the clothes, and Iâm pretty sure they werenât the kind Kit would wear. They had Marshall Fieldâs label on them, and sheâd been getting things from Bestâs and Saks ever since I can remember.â Courtland thought for a time, then shook his head. âBesides, Iâm certain Kit wouldnât have had so few clothes. She wouldnât travel without a trunk.â
âLook,â said Crane; âwe can settle this right away, if you have any pictures of your sister.â
Courtland produced an ostrich billfold. âIâve got a passport photo taken of her some time ago.â He pulled out a small photograph and handed it to Crane. âAlways carry it with me. Of course, we have some studio portraits of her at home.â
Crane walked to the window with the photograph. It showed the head of a young girl about nineteenâa rather plump young girl with blond hair and an excited, anticipatory expression about her lips and eyes. There was a white background, and that, with the strong light used by the photographer and the fact that the girlâs face was turned toward the camera, made it impossible to determine what sort of a nose and chin she had. There was a comb in her unbobbed hair.
Courtland said, âIt was taken nearly four years ago, and you know how passport photos are, anyway.â¦â
Crane gave the photograph back to him. âI know,â he said. âIt doesnât look much like her. Your sisterâs fatter.⦠I mean fuller in the face, for one thing.â
âKit was fatter, then.â Courtland held the photograph, watched Craneâs face. âShe was fat as a little kid, clear up to the time she was twenty. Then she suddenly lost weight. It showed especially on her face. I used to kid her about dieting secretly. Dâyou think it might be her, if you made an allowance for the difference in weight?â
âIt might be.â Crane sat on the bed beside Williams, leaned backward so that his elbows were resting on the green spread. âIt might be, but sheâd have had to change a lot. A hell of a lot. I donât think that photo is going to do us any good.â He looked up at the ceiling. âI bet you could take the photograph of almost any pretty blonde, and sheâd look something like the girl in the morgue, especially if you had to allow for a difference in weight and four years in age.â
OâMalley had been sitting on the straight-backed chair by the writing desk, his blue eyes attentive. He said, âMaybe you could have one of the portraits sent on to Chicago, Mr. Courtland?â He turned around to Crane. âWeâd probably do better, Bill, if we showed it to some of the people in her hotel. They saw her alive.â
âOf course.â Courtlandâs face brightened. âIâll wire Mother to send it air mail.â He ran his hand backward through his short blond hair, left it tousled. âYou know itâs damnable to