Katharine of Aragon

Free Katharine of Aragon by Jean Plaidy

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Authors: Jean Plaidy
followed by other members of the royal family.
    Katharine and Arthur did not dance together. Many present thought this meant that the marriage was not yet to be consummated. So Katharine chose her maid of honor Maria de Rojas, and together they danced a
bass
dance, which was stately and more suitable, she thought, to the occasion than one of those dances known as
la volta
and which involved a good deal of high stepping and capering.
    Katharine was at her best in the dance, for she moved with grace and she was an attractive figure in spite of the superior beauty of Maria de Rojas.
    Two gentlemen at the table watched Maria as she danced. One was the grandson of the Earl of Derby, who thought her the most beautiful girl he had ever seen; but there was another watching Maria. This was Iñigo Manrique, the son of Doña Elvira Manuel, who had accompanied the party to England in the role of one of Katharine's pages.
    Maria was conscious of these looks as she danced, and deliberately she gave her smile to the young Englishman.
    But although Maria's beauty attracted attention there were many who closely watched the young Infanta. The King and Queen were delighted with her; she was healthy and whether or not she was beautiful was of no great moment. She was fresh and young enough not to be repellent to a young man. They were both thinking that when the time came she would be fertile.
    Arthur watched her and found pleasure in watching her; now that he knew he need not fear the consummation of their marriage he was very eager to win the friendship of his wife.
    Henry could not take his eyes from Katharine. The more he saw of her the more his resentment rose. The precocious youth enjoyed occasions such as this, but he was never completely happy unless he was the center of attraction. If only he had been the bridegroom! he was thinking. If only he were the future King of England!
    The dance was over, the applause rang out while Katharine and Maria returned to their places. Arthur then led out his aunt, the Princess Cecily, and the dance they chose was a grave and stately one. Henry, watching them through sullen eyes, was thinking that so must Arthur dance, because the high dances made him breathless. But that was not the English way of dancing. When the English danced they threw themselves wholeheartedly into the affair. They should caper and leap and show that they enjoyed it. He would show them when his turn came. He was impatient to do so. When it came he and his sister Margaret stepped into the center of the hall; there was immediate applause, and all sullenness left Henry's face as he bowed to the spectators and began to dance. He called to the minstrels to play more quickly; he wanted a gayer air. Then he took Margaret's hand and the color came into their faces as they danced and capered about the hall, leaping into the air, twirling on their toes; and when Margaret showed signs of slackening Henry would goad her to greater efforts.
    The company was laughing and applauding, and Henry, the sweat running down his face, threw off his surcoat and leaping and cavorting in his small garments continued to divert the company.
    Even the King and Queen were laughing with pleasure, and when themusic eventually stopped and the energetic young Prince with his sister returned to the table, congratulations were showered on them from every corner of the hall.
    Henry acknowledged the cheers on behalf of himself and Margaret, but his small eyes rested on Katharine. He knew that his father was wishing his first-born were more like his other son.
    Henry realized then that he was hoping Katharine was making a similar comparison of himself and Arthur.
    DOÑA ELVIRA MANUEL , that most domineering of duennas, was delighted with the state of affairs in England, for while Katharine had her separate household she remained in charge of it, and she knew well that once Katharine became in truth the wife of Arthur she would cease to maintain the power which was now

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