but his limbs refused to move. “Kinoielpyew?” said the girl impatiently.
Persse stared at his boots. “I’m after wanting some Durex, please,” he managed to mutter, in strangled accents.
“Small meedyum or large?” said the girl coolly.
This was a turn of the screw Persse had not anticipated. “I thought they were all the one size,” he whispered hoarsely.
“Nah. Small meedyum or large,” drawled the girl, inspecting her fingernails.
“Well, medium, then,” said Persse.
The girl vanished momentarily, and reappeared with a surprisingly big box wrapped in a paper bag, for which she demanded 75p. Persse snatched the package—it was also surprisingly heavy—from her, thrust a pound note across the counter, and fled from the shop without waiting for his change.
In a dark and noisome subway, decorated with football graffiti and reeking of urine and onions, he paused beneath a lightbulb to inspect his purchase. He withdrew from the paper bag a cardboard box which bore on its wrapper the picture of a plump, pleased-looking baby in a nappy, being fed something that looked like porridge. The brand-name of this product, displayed in large letters, was “Farex”.
Persse walked broodingly back towards the University. He had no inclination to return to the shop to explain the mistake, or to make a second attempt at another chemist’s shop. He took the frustration of his design to be providential, an expression of divine displeasure at his sinful intentions. On a broad thoroughfare lined with motorcar showrooms, he passed a Catholic church, and hesitated for a moment before a notice board which declared, “Confessions at any time.” It was a heavensent opportunity to shrive himself. But he decided that he could not in good faith promise to break his appointment with Angelica that night. He crossed the road—carefully, for he was undoubtedly in a state of sin now—and walked on, allowing his imagination to dwell voluptuously on images of Angelica coming to her bedroom in which he was hidden, Angelica undressing under his very eyes, Angelica naked in his arms. But what then? He feared that his inexperience would destroy the rapture of that moment, his knowledge of sexual intercourse being entirely literary and rather vague as to the mechanics.
As if the devil had planted it there, another notice, printed in bold black lettering on flame-coloured fluorescent paper, caught his eye: THIS CINEMA IS A CLUB SHOWING ADULT FILMS WHICH INCLUDE THE EXPLICIT AND UNCENSORED DEPICTION OF SEXUAL ACTS. IMMEDIATE MEMBERSHIP AVAILABLE. REDUCED RATES FOR OLD AGE PENSIONERS.
Persse swerved in through the doors, quickly, before his conscience had time to react. He found himself in a discreetly dim, carpeted foyer. A man behind a desk welcomed him suavely. “Membership form, sir? That will be three pounds altogether.”
Persse put down the name of Philip Swallow.
“That’s a coincidence, sir,” said the man, with a svelte smile, “We already have a Mr Philip Swallow on the books. Through the door over there.”
Persse pushed through padded doors into almost total darkness. He stumbled against a wall, and remained pressed to it for a moment while his sight accommodated to the gloom. The air was full of strange noises, an amplified mélange of heavy breathing, throttled cries, panting, moaning and groaning, as of souls in torment. A dim luminescence guided him forward, through a curtain, round a corner, and he found himself at the back of a small auditorium. The noise was louder than ever, and it was still very dark, impossible to see anything except the flickering images on the screen. It took Persse some moments to realize that what he was looking at was a hugely magnified penis going in and out of a hugely magnified vagina. The blood rushed to his face, and to another part of his anatomy. Bent forward, he shuffled down the sloping aisle, peering vainly to each side of him for an empty seat. The images on the screen
Jessica Conant-Park, Susan Conant