you?â
âThanks. Iâll wait for you on the half-landing.â
Tapp having disappeared, Vereker promptly opened the bedroom wardrobe and swiftly examined every lounge suit it contained one by one. In the midst of this operation he suddenly uttered an exclamation of surprise and, picking off some almost invisible object from one of the garments, inserted it in his pocket book between a sheet of folded notepaper. Satisfied that nothing more was to be learned here, he replaced the suits in the wardrobe and proceeded leisurely down the half-flight of stairs to the small landing off which the music room opened. Examining the door, he noticed the large, old-fashioned keyhole of the lock, and taking a lead pencil from his pocket pushed it through as if to remove some obstruction. Then bending down he peered into the room, noting the fairly wide angle of vision the aperture permitted. He stood erect once more and was musing as to what type of story had given rise to the Marston ghost, when Crawley, the old butler, appeared at the foot of the stairs and ascended as quickly as his stiff limbs would allow. In his hand he held two keys, a large, old-fashioned one and a smaller, modern one. On reaching the half-landing, he apologized to Vereker for keeping him waiting.
âHad to search for the keys, sir,â he explained. âMrs. Cornell used them last and forgot to give them back direct to me. Instead of putting them on the usual nail she left them on one of the shelves of my pantry.â
âWhen did she use them last, Crawley?â asked Vereker casually.
âJust the other day. In fact, the very night Mr. Frank was killed, sir. It was some time after dinner she asked for them and said that Doctor Redgrave who was dining at the house that night was going to try his luck with the Manor ghost. He had never seen a spook before and was anxious to see one.â
âDid she replace the keys that night?â
âNo, sir. After locking up the other doors, I remembered the music room keys and glanced to see if they had been put back. They werenât there and not wishing to trouble madam about the matter I let it slip.â
âYou tried the music room door before you turned in?â asked Vereker.
âCertainly, sir. It was locked all right and thatâs one of the reasons I didnât bother madam about the keys that night.â
âDidnât Inspector Heather look into the room to-day?â asked Vereker with a shade of surprise.
âThat I couldnât say, sir. He went round the house with madam this morning, and if he did, she must have come for the keys and put them back herself. I was over in Marston village all morning about arrangements for the young masterâs funeral.â
âWhat did you do about the keys last night? Did you notice they hadnât been replaced on their nail?â
âBless you, sir, I wasnât worrying about keys last night. I had other things to think about and didnât get to bed till the early hours. The whole house is so upset that I donât know half the time what Iâm doing. My memory, too, is getting shocking bad and itâs about time I packed up with service.â
âYouâd be sorry to leave Mrs. Cornell, wouldnât you?â asked Vereker.
âYes, sir, in some ways. Sheâs a very nice lady and very good to her servants. Never grumbles but sheâs firm and will have everything done properly. We all get on very well with madam, but thereâs no entertaining here like real gentry entertain. You couldnât say we had a wine cellar, leastways not what Iâd call a wine cellar. Just a few bottles of this and that for occasions. People nowadays donât seem to know how to live and enjoy themselves decent. This is a dull place. No horses, no dogs, no huntinâ, no nothing!â
With these remarks and a lugubrious air Crawley inserted the larger key in the music room door, turned it