and by singing,
and reaped, as I knew, by luck and Heavenâs favor,
in spite of the best advice. If I have been caught
so often laughing at funerals, that was because
I knew the dead were already slipping away,
preparing a comeback, and can I help it?
And if at weddings I have gritted and gnashed
my teeth, it was because I knew where the bridegroom
had sunk his manhood, and knew it would not
be resurrected by a piece of cake. âDance,â they told me,
and I stood still, and while they stood
quiet in line at the gate of the Kingdom, I danced.
âPray,â they said, and I laughed, covering myself
in the earthâs brightnesses, and then stole off gray
into the midst of a revel, and prayed like an orphan.
When they said, âI know that my Redeemer liveth,â
I told them, âHeâs dead.â And when they told me,
âGod is dead,â I answered, âHe goes fishing every day
in the Kentucky River. I see Him often.â
When they asked me would I like to contribute
I said no, and when they had collected
more than they needed, I gave them as much as I had.
When they asked me to join them I wouldnât,
and then went off by myself and did more
than they would have asked. âWell, then,â they said,
âgo and organize the International Brotherhood
of Contraries,â and I said, âDid you finish killing
everybody who was against peace?â So be it.
Going against men, I have heard at times a deep harmony
thrumming in the mixture, and when they ask me what
I say I donât know. It is not the only or the easiest
way to come to the truth. It is one way.
THE FARMER AND THE SEA
The sea always arriving,
hissing in pebbles, is breaking
its edge where the landsman
squats on his rock. The dark
of the earth is familiar to him,
close mystery of his source
and end, always flowering
in the light and always
fading. But the dark of the sea
is perfect and strange,
the absence of any place,
immensity on the loose.
Still, he sees it is another
keeper of the land, caretaker,
shaking the earth, breaking it,
clicking the pieces, but somewhere
holding deep fields yet to rise,
shedding its richness on them
silently as snow, keeper and maker
of places wholly dark. And in him
something dark applauds.
EARTH AND FIRE
In this woman the earth speaks.
Her words open in me, cells of light
flashing in my body, and make a song
that I follow toward her out of my need.
The pain I have given her I wear
like another skin, tender, the air
around me flashing with thorns.
And yet such joy as I have given her
sings in me and is part of her song.
The winds of her knees shake me
like a flame. I have risen up from her,
time and again, a new man.
THE MAD FARMER IN THE CITY
â. . . a field woman is a portion
of the field; she has somehow lost
her own margin . . .â THOMAS HARDY
As my first blow against it, I would not stay.
As my second, I learned to live without it.
As my third, I went back one day and saw
that my departure had left a little hole
where some of its strength was flowing out,
and I heard the earth singing beneath the street.
Singing quietly myself, I followed the song
among the traffic. Everywhere I went, singing,
following the song, the stones cracked,
and I heard it stronger. I heard it strongest
in the presence of women. There was one I met
who had the music of the ground in her, and she
was its dancer. âO Exile,â I sang, âfor want of you
there is a tree that has borne no leaves
and a planting season that will not turn warm.â
Looking at her, I felt a tightening of roots
under the pavement, and I turned and went
with her a little way, dancing beside her.
And I saw a black woman still inhabiting
as in a dream the space of the open fields
where she had bent to plant and gather. She stood
rooted in the music I heard, pliant and proud
as a stalk of wheat with the grain heavy. No