Hugh
did
say something to you about being here for Handmade. Asking you implies that he knows Hugh did come for the fair, but that he isnât sure
why
he came for the fair. But what if he just thinks thatâs why Hugh was here? What if heâs assuming?â
âBut why would he ask me if he didnât know for sure?â Ardis let the pencil bounce one more time and then tossed it in the air. âDid I just say that? Did I just assume that because Cole believes something and says it out loud, then itâs true?â
The pencil had flown as far as the mannequin and stuck in the gray cowl like a dart. I went around the counter and carefully pulled it out. Ardis put out her hand for it. I didnât give it back. She put her hands flat on the counter.
âYouâre right, Kath. Youâre right, and we donât know if Cole is right. Iâll tell you what we do know, though. And knowing this brings me to a place of calm.â She took a deep breath in and let it out. Then she held out her hand again. âPlease give me the pencil.â I did. She flipped the notebook open and saw my
dabbling in detective work
note from the day before. âColeâs joke isnât really funnyanymore, and yesterday morning seems like a long time ago.â She turned the page. âWe know the police at least
think
Hugh was here for the fair. That gives us another clue to work with.â She poised the pencil over the page, then swiveled it in her fingers and pointed it at me. âBecause we
are
going to find who killed him.â
I nodded and watched as she jotted her own note. âYou said that gives us another clue. What else have we got?â
âThe slip of paper with my name. Why was it in his sporran?â
âOh, right. How did I forget that?â
âYou were distracted by Coleâs pantomimeâand its locationâas he searched for the right word,â Ardis said.
âDisturbed by it anyway.â
âAlso, what book did Hugh have in his sporran? Is it significant? Or was the slip of paper with my name on it merely a bookmark in a random book?â
âLost in a random universe?â
âThat has a lonely, existential sound to it.â She made several more notes with slashing underlines, and then grew still. âI think Hugh was lonely. And now heâs lost forever.â She put the pencil down and stared at her hands.
âArdis, I hate to say it, but maybe we should cancel the yarn bombing.â
âNo.â
âSneaking around so late at night, though? Out of caution, shouldnât we at least consider postponing it?â
âNo. Weâre going to have a dozen people. Weâre working in groups. No one is going solo. Itâs perfect the way weâve planned it.â
âPostpone it out of respect for Hugh, then?â
âI asked him if he wanted to join us and he said yes. We need to do if
for
Hugh.â
âOkay. I was just checking.â I nudged her with my shoulder. âHereâs another clueâthe bagpipes and the midnight concert. When was the last time something like that happened in Blue Plum?â
âAnd his whole âgetup,â as Coleridge so ineptly called it. The kilt, the sporran, the pipesâthatâs not your typical east Tennessee âgetup.ââ
âNot
upper
east, anyway. All the way west, over there in Knoxville, maybe. Or out in the hinterlands in Nashville or Memphis. Do we know where heâs been living?â
âNo.â
âOr what heâs been doing sinceâhow long has it been since youâve seen him?â
âIâll have to think.â
I put the pencil back in her hand. âYou should write down what you know and what you remember about him, Ardis. If the police are going to come pick your brain, the posse should get first dibs.â
âBefore the police pick it clean. Do you mind if I go inââ She nodded to
Reshonda Tate Billingsley