said, âWhat kind of proposition?â
âIt means Iâd like your help; it means I have an idea to run by you.â
She was mildly offended. âI know what it means.â
âIt wonât take long. It wouldâit would make a world of difference.â
She was supposed to run and she did not. She prepared herself to run, she knew the risks, but now, face-to-face with him (a notorious Him, a textbook stranger), her instinct was merely to listen. She said, âWhat can I do for you?â and was surprised by the rote, disinterested way it came out, like the voice of a tired waitress.
1
S amâs girl wasnât pretty. You couldnât call her that, but he didnât mind. He liked her long neck, like a dancerâs, pale clean hair to her shoulder blades. She was gangly, wide-hipped, big feet. It didnât matter. He liked everything: her shirts a size too big, her sagging kneesocks. She went without a bra but not in a wild way, not like Mimi McKendrick who wore beads and black nail polish and let her little breasts knock about. His girl crossed her arms over her chest, drew attention to her own embarrassment, her shock at having wound up, one day, today, for no reason except dull destiny, a woman. Her eyes were clay-colored, her fingernails bitten to the quick. He admired everything about her. In her presence he was all clenched fists and thubbing heart.
âHelen.â
It brought to mind his grandmother (who wasnât a Helen but of the age when women were Helens) and a wooden horse and also a cat with half a tail heâd known as a small boy. The name was many things, belonged to people and animals and some cities, but it was hers first and hers foremost. It had a formality, he thought, a sanctity. It was proper. His first-grade teacher was Mrs. Helen. It could be a surname or a petâs name or a myth, but now that it was her, this girl, thatâs all it would ever be.
âHelen!â
There was nothing to do but shout it.
âKeep your voice down,â she said. âHush.â
She said things like thatâ hush . She was just sixteen but spoke like a mother already, in a weary, vaguely amused voice.
âHelen,â more softly.
âThatâs better, yes.â
They were sitting on her bed and kissing. It was nearly dusk on a Tuesday in early spring. Her room was a childâs room: pink walls, braided pastel rug, shelf of dolls in church dresses and straw hats, a ribbon tacked to the back of the door, which was closed. The door was closed and they were sitting on her bed and they had been kissing. It was kissing, yes, but it wasnât what he had imagined. It was kissing in name only: lips brushing dryly, no exchange of saliva, idle tongues, hands on their own laps. Still, he would take it.
The ribbon behind the door said Runner-Up in gold letters. A pink ribbon with gold letters, and at once he saw her as the runner-up, a too-tall girl pulling herself from the pool, out of breath, bloodshot eyes, a scrape on her knee, downy fuzz in her armpits. The sky would have been overcast, her mother frowningââThereâll be more racesââand handing her a towel which her sister had already used.
âI have a paper to write,â she was saying. âItâs due Wednesday. The War of 1812.â
âI know about that war.â
He knew nothing.
He loved her as the Swimmer. She pretended not to mind being runner-up. She hated her mother, hated the girl whoâd won the race. She loved the color of sky, like bone, and the chlorine burn in her eyes. Her face didnât show anything. She rode home in the back of the station wagon, arms and legs goose-pimpled, lips blue. She hung that ribbon up out of defiance. I will not care. I am not this ribbon. He saw everything with precision: her blue lips, bloodshot eyes, her cold and healthy heart. He was making it all up. He didnât know about the ribbon. He didnât know
Amira Rain, Simply Shifters