(who wasnât thrilled about the prospect of me portraying a homeless bisexual junkie prostitute on national TV) had hoped for, which was that they would pay me but never air the episode.
âStop brooding and stand up so I can lace you up,â Leischneudel said as he rose from the makeup table.
He was right. I was brooding. Two men not calling meâeven though, I reminded myself, I didnât want one of them to callâwas too disheartening. One way or the other, I needed to resolve my fear that Thack no longer wanted me as a client.
He was a young agent who had a respectable client list and was rising in his profession. Although he was flamboyant in an uptown yuppie way, he was originally from a middle-class family in Wisconsin, like me. He was also hardworking and polite, which I had so far found to be rare qualities in New York theatrical agents.
I would be sorry to lose him; but if thatâs what was on the horizon, then I wanted to get it over with rather than fretting about it any longer.
âIâm going to call him again,â I said with determination. âHe needs to commit to seeing the show or else he needs to tell me whatâs wrong. I canât keep chasing my tail about this.â
âGood,â my companion said with approval.
âWhereâs your cell? I donât want to risk going back to my dressing room now.â
Leischneudel didnât bother to ask why. Although he and Mad Rachel were believable onstage together as innocent young lovers, when they were offstage, Leischneudel avoided her at all costs.
He pulled his phone out of his daypack, handed it to me, and started doing up the back of my gown while I dialed Thackâs cell phone number.
It occurred to me that when Thack saw an unfamiliar number on his phoneâs LCD screen, rather than mine, he might actually answer, instead of letting the call go to voice mail ... And I was right.
âHello?â he said after the third ring.
âThack, this is Esther Diamond. When are you coming to see The Vampyre? â I said in a rush.
âEsther?â He sounded surprised. And not thrilled. âUh . . .â
âWe only have two weeks left. When shall I reserve your seat?â
âI thought every performance was sold out,â he prevaricated. âThe showâs a hot ticket. I heard some of the scalpers are getting three hundred dollars per seat.â
âFor this show?â I blurted. âThe vamparazzi really are crazy.â
âThe who?â
âNever mind. When are you coming?â
âOh, I donât see how you could even get me in, ifââ
âI can get you in,â I said firmly. âDaemonâs contract allows him access to a couple of VIP seats for any performance. Iâll make him give one to me.â I figured Daemon owed me for my black eye. âHow about tomorrow?â
âWell, er, I donât have my calendar with me, so Iâm not sure . . .â
âLook, if you donât want me as a client anymore, just say so!â
In the silence that followed, I realized this was a tad more confrontational than I had intended.
Then he said, âWhat?â
In for a penny, in for a pound. âIs that why youâre not coming to the show? Because youâre getting ready to dump me?â
âDump you?â
âIf thatâs the case, Iâd rather you just tell me right now, in a straightforward way.â
â Dump you?â he repeated, sounding aghast.
His tone opened the door on a tiny glimmer of relief.
âOh, my God,â he said. âIs that what youâve been thinking? That I was planning to . . .â He sighed, then said heavily, âActors.â
Leischneudel gave a final tug as he finished fastening my gown, then circled me to meet my gaze as I said hesitantly into the phone, âSo youâre not planning to drop me?â
Leischneudel smiled and gave me a