Pete. Iâm kind of busy. We have orchestra and jazz band performances.â
âYou always have those,â he says. âThisâll be your chance to stop lurking around, avoiding most of humanity. Itâs senior year. Weâll make history with this performance.â
âIâm not lurking,â I say, but realize Iâm sulking when I say it, so I straighten up.
Peteâs pushing is beginning to piss me off. I donât like to be pushed. I look at Sebastian for help.
He shrugs and says, âIt might be a good idea. Orchestraâs no big deal this semester. Itâll get your mind off of . . . I mean, on this year.â
I know he means to say, Get your mind off of Grace , but Iâm glad he doesnât because I might have to punch him in the nose. I donât know whatâs happening, how everything is about doing the talent show. Iâm now feeling claustrophobic on the rooftop. I eye the door and think about making a break for it.
âI was having trouble coming up with a theme, but this is perfect.â Pete walks along the side of the roof like heâs balancing on a tight rope. âIâll get Krysta to work on a downtown skyline for the sets. Weâll have models, dancers, musicians, dancers as models. . . . Sebastian and Mark, you guys can handle themusic. Maybe it could count for your senior thesis as well. Itâll be huge.â
Brandon, Sebastian, and Pete are all looking at me. I want to tell them no. I want to tell them to leave so I can be alone. I just want to slip through the school year without drawing attention. Getting pulled into Peteâs fashion-show dramaâand itâs Pete, so I know itâll be dramaâis the last thing I want to do. But Iâve never said no to Pete, and when I donât say anything, Pete takes that as a yes.
âGreat. When do you think youâll have something ready?â
Eleven
I âve parked across the street from the small yellow house. I watch the front door and waitâfor what, Iâm not sure. Itâs not like Iâm going to get out of the car and walk over. Iâve played that scene over in my head many times and it never ends well. Watching this house has become one of my routines, like my trips to the bridge. I park in the same spot each time. Iâm a little surprised that no oneâs noticed and called the cops.
I take out my phone and post a question for anyone whoâs online at Twinless Twins.
Am I still considered a twin?
It only takes a couple of moments for the answers to come.
Kelly: Yes.
Brian: Yes.
Greg: Yes.
Susan: Yes.
John: Yes.
Greg: Youâll always be Graceâs twin. Death doesnât end that.
Kelly: Once a twin, always a twin.
Brian: Brady and Brian. Brian and Brady. Itâs been ten years and I still link his name with mine in my head.
I do the same thing. I donât say it out loud, but I still think in terms of we: Grace and me. A unit. One we instead of two singular I s.
Susan: Forever
I look up from my phone. Across the street, a few kids are now running around the front yard. They donât even look old enough for elementary school. Their mom sits on the front porch, talking on her phone, watching them. Sheâs pretty, even from this distance.
The dad comes out with a soccer ball. He drops it on the ground and kicks it to the older one in the red shirt. He tries to kick it back, but misses. He runs and grabs the ball with his hands instead and pushes it to his dad.
The dad smiles and shows the two boys how to kick the ball. They donât really get it; theyâre too young to play soccer. But the dad is patient and keeps at it. I canât hear him, but I imagine heâs saying Good job , over and over again.
After a few passes, the younger boy wraps his arms around his dadâs legs. The dad staggers backward, as if the kidâs strength is pushing him. The older boy jumps on his