phone and open the Journal to its deep middle sections. âThe lady on 911 told me this,â I tell Rebecca. âWeâre supposed to spread these out over the seat. Anita, an ambulance is on the way. Hang in there, O.K.?â
âThe women in my family have pretty easy births,â she says between gasps of air and pain, as though her job is to comfort us. âMy doctor says I have a pelvis like the Holland Tunnel.â She thinks about this for a second and laughs. âToo bad we canât take it to the hospital.â
âAnita, I think youâre starting to rave a little bit. Try to be calm.â
She snorts fiercely like a riled-up horse. I get the number of the cabinetry shop from Information, and ask for Dwight. Heâs still there. They bring him to the phone.
âI was just leaving,â he says. âWhatâs going on?â
I tell him.
âThis wasnât the plan, Walter,â he says.
âI know it wasnât, Dwight. What can I say? Weâre stuck in traffic.â
âWhat are you doing on 93 in the first place?â
âI made a mistake and got on it. Here, Iâm putting you on with Anita.â
âYou were supposed to be here to tell me to push,â she says to Dwight.
âDonât tell her that!â I say at the phone. I look outside. The woman from the Lincoln has spread the word, and now about thirty people from other cars are staring in through our steamed-up windows like a gathering of spirits.
âWalter thinks youâre mad at him,â Anita says. âTell him youâre not.â She passes the phone back to me.
âIs that you there, where all the people are?â Dwight says. âI think I can see you from here.â
âYeah, weâve got a crowd here.â
âThe Bonnevilleâs overheating, isnât it?â
âYup.â
âIt does that when you run the air conditioner without driving.â
âI figured that out.â
âIâm not mad, Walter. Youâre doing your best.â
âThanks, Dwight. I called for an ambulance.â
âI see it coming on the shoulder right now. Should be there in a couple of minutes.â
âOh, yeah. I hear the sirens.â
âYouâre fine now. Iâll meet you at the hospital. Oh, hey! Guess who won the race.â
âUs?â
âYou bet. Veritas Grit. Bennyâs going wild. He wants to see a proposal for a big promotion. And, Walter? He says this is your niche. Youâre gonna be the Veritas Grit spokesperson. You could be looking at national TV with this.â
âGee, thatâs great, Dwight. Thanks.â
The radio starts playing âI Second That Emotion,â and then all at once the crowd around the car breaks into cheers and applause. When I look in the back seat I see that the baby has left the mother ship and is now half in Rebeccaâs hands, half space-walking in its birth fluids across the tiny print of the New York Stock Exchange. Itâs made of rubberâthatâs my first thought, seeing it jiggle from behind. But Iâm not in my right mind. Rebecca gets a grip and lifts, and the babyâs slimy body flips over suddenly in her arms. Itâs a boy. His two-second-old face meets my thirty-five-year-old one, the eyes puddling darkly beneath the matted hair, looking into mine and saying, Iâm here again? Who am I this time? And then, unmistakably, he winks at me. For an instant I think I get it, the whole thing, life in all its dimension. Then Rebecca puts him back on his belly, slides him up the front of Anita, and he enters earthly bliss.
âDwight!â I say. âYouâre a father! Itâs a boy!â
âA boy? The babyâs born? I have a son?â
âLook at the size of this kid!â I say.
âWhereâs Anita?â he cries.
âWhat do you mean, where is she?â
âI mean how is she!â
âShe seems fine.
Eric Flint, Charles E. Gannon