."
A few seconds later he was blown through the outer door by escaping air,
and another eternity passed while he jetted back to the hull and closed
it again. Walters and McCullough re-entered the chamber, still without
alien interference.
The problem now was to get Walters out of his damaged suit and into the
replacement quickly enough to keep him from being gassed. McCullough
started by opening the pilot's face-plate, taping up his nostrils and
making him breathe slowly through his oxygen line. Then he wrapped his
legs around the pilot's waist and began cutting away the damaged suit.
It was hard, painstaking work. The plastic and metal foil was difficult
to cut with a scalpel and McCullough was all too aware of the skin and
blood vessels lying just a fraction of an inch below. The drying unit in
his own suit refused to cope with the increased flow of perspiration,
his visor was fogging badly despite its special coating, and he wasn't
dissipating nearly enough of his body heat.
This would be a great time to pass out from heat stroke.
Quickly he slit the legs, arms and chest, peeling them away to leave
only the shoulder section which contained the air supply and hinged-back
helmet. There followed a weightless adagio dance and he drew the new
suit onto the pilot's legs and arms while the tatters of the old one
hung out from his back. Walters could not give him much help because the
alien atmosphere was making his eyes stream and no matter how hard he
tried he could not stop coughing -- which drew more of the stuff into
his lungs. By the time he told Walters to hyperventilate and hold his
breath while the changeover was completed, McCullough was afraid that
he had already breathed in too much of it.
Finally they were ready to leave. The discarded suit twisted slowly,
like some shredded, dismembered corpse, in the mist which was growing
visibly in the area of the leak. McCullough wondered what the aliens
would make of it, what they would infer and deduce regarding the human
race. The thought made him look toward the transparent panel in the door.
There were three of them.
McCullough pushed himself toward the corridor door without thinking --
the reason for doing it seemed to come after the action rather than
before. To Walters he said quickly, "If they open that door the outer
one won't open -- there's sure to be a safety interlock system -- and if
they see us trying to leave they will surely open it. I'll move close
to the window and block their view while you open the outer seal --
the suction will pull us out. Where's that blasted pipe?"
He couldn't see it. Probably it was hiding in plain sight against a
background of Ship plumbing, a tree hiding in a forest.
His idea was to hold their attention somehow while blocking their view
of what Walters was doing. To do so he had to get close to the transparent
door panel and either arouse their interest or frighten them away.
McCullough did not know of anything he could do which would prove fascinating
to the aliens, but he just might be able to worry them a little with
his camera.
It was a beautiful instrument which fairly bristled with supplementary
lenses and attachments. It might very easily be mistaken for a weapon.
In some deep recess of his mind a small voice was reminding him
insistently of the need to consider the alien point of view, and
to do nothing to give them the wrong idea about humanity and human
behavior. McCullough felt a moment's shame, but he was really much too
frightened to listen.
There was no perceptible reaction from the e-t's as McCullough drifted
up to the window, still aiming his camera. One of them was drifting
in the center of the corridor, a stubby, dumbbell shape covered with
long spikes. Each half of its body was roughly the size of a football,
and there were no sensory or manipulatory organs visible. A