probably wouldnât close down the entire waxworks.â
âWe could drop in on the way home.â
Rowland winced. âI canât take Ernie toââ
âOh yes you can!â Ernest interjected. âIâm seven!â
Milton pulled on the goatee he was currently sporting. âWe could just drive past and have a gander. Ernie wonât be out of our sights.â
âI donât know.â Rowland hesitated. âIt seems a little macabre.â
âItâs a House of Horrors, Rowly. Itâs supposed to be macabre.â
âPlease Uncle Rowly. Please, please, please!â
Rowland made a valiant attempt to resist Ernestâs pleas despite his own curiosity about the scene of Whiteâs grisly end. Eventually, however, he was defeated by the fact that his nephew and the poet joined forces to make the case for Magdaleneâs.
âVery well, if itâs open we might stop in for a bit,â Rowland conceded. Ernest was, after all, completely unaware of the murder, so there was no danger that he would be unduly disturbed, and anything they could learn about Magdaleneâs could well prove useful.
They finished their drinks and a plate of chipped potatoes before catching the next ferry back to Circular Quay. From there it was barely ten minutesâ drive to Kings Cross and Magdaleneâs House of the Macabre. The waxworks was open and, indeed, busy.
They parked the Mercedes and joined the queue at the door which spilled out onto Macleay Street.
âEternity.â Ernest read out the word inscribed in chalk on the concrete as they waited for the line to move. âItâs spelled wrong.â
Rowland looked. Eternity had indeed been spelled with a âuâ in place of the second âeâ.
âWhatâs it mean, Uncle Rowly?â
âIâm not sure,â Rowland admitted. Heâd seen the word chalked in the same copperplate hand, with the same spelling mistake, a couple of times on pavements in the city. Heâd never given it a great deal of thought.
The elderly cashier who took their money and passed out tickets from a narrow booth window at the hallâs entrance was, to Rowlandâs mind, ideally suited to employment in an establishment like Magdaleneâs. Her face was more crumpled than wrinkled, her hair a wild mane of frizzled grey. She wore a patch over one eye and glared at them with the other while she puffed on a chipped black pipe. Rowland noticed that Ernestâs eyes had widened already.
They shuffled into the first exhibit room, which had been designed to resemble a crypt. Some of the sarcophagi were open to reveal wax corpses inside. One contained a mummy. Ghouls and vampires inhabited the shadows. On closer examination, Rowland could see that the statues consigned to the gloomy corners were damaged or unfinished in some way. Count Dracula was little more than a vampire scarecrow with a wax head. The cobwebs, while fitting, were real. Still, Ernest seemed impressed.
The second hall housed a fearsome collection of historical figures: Genghis Khan, Napoleon Bonaparte, unnamed Vikings and a caveman. Skeletons hung from wires in the internal courtyard. Rowland stopped, surprised, as they happened upon a young woman sobbing inconsolably as she perched on the edge of a rocking chair.
Rowland offered her his handkerchief, which she took though she didnât stop crying.
âSheâs an exhibit, Rowly,â Milton whispered as he hoisted Ernest onto his shoulders, so the boy could get a closer look at the tusked boarâs head mounted above the door.
âOh, I see.â Rowland laughed, but did not attempt to retrieve his handkerchief. Instead, he observed the other visitors to Magdaleneâs. Several families, as one would expect, quite a few young courting couples as well as a surprising number of single men. Nobody who looked like they might belong to a coven. The attendants, however, all