kill my buzz. âSo why are you out here then?â
âMy dadâs funny that way, you know? Heâs not really down with the whole getting-high-in-the-house thing. Whatâs your excuse?â
A good question. A good reason to take another toke and change the topic. âI saw someone yesterday.â We both wait for whatâs next. I lift my head in the hope that the icy wind will help clear my head enough to finish my thought. âOn your front step. He looked ⦠suspicious.â
âFedora? White overcoat? Moustache?â
âYou know him?â
âNot really.â
âNot really?â
âIt was my dad.â
âOh.â
âYeah. Oh.â
The girl deserves to have the last word, even if itâs only Oh . Sara and I had an understanding when it came to each otherâs relatives: Iâm allowed to criticize my family; youâre not. Youâre permittedâexpected, evenâto commiserate with my complaints; only not too enthusiastically. But itâs not acceptable for you to pile on with your own objections. This wasnât an arrangement arrived at without a certain amount of antecedent loud trial and error.
âWhatâs on the playlist tonight?â I say. I hadnât noticed whether or not she has her iPod with her, but odds are yes. No one under the age of twenty-five, it seems, dares go anywhere anymore without being armed with either a cell phone or an iPod or an iPad or, more often than not, some combination of the three. When I was a kid, we all dreamed of one day growing up to be just like Captain Kirk and Mr. Spock, happily weighed down at the hip by all of our phasers and communicators and everything else needed to kill the bad guys and keep us in close contact with the good ones. Three decades later, I donât even wear a watch, three keys hanging from a plastic Siemensâ keychain that my dad gave me my only adult concession. Thankfully, dreams donât always come true.
âI thought you didnât like music,â she says.
âI never said that.â
âOh, right. Itâs just music made in the last twenty years you donât like.â
âThatâs not true.â And itâs notâitâs more like the last thirty years, roughly around the time of the fourth Ramones albumâbut I resent the insinuation of incipient old-fogeyism anyway. Even dinosaurs have feelings.
âReally,â she says. âWho died tonight then?â
I donât ask her to repeat herself; turn around on the bench instead to better determine whether she really said what I think she just did.
âIn the book you said youâre writing. The one thatâs not a novel. Isnât that the deal? That some ex-roadie or somebody else like that that you made up talks about a bunch of different musicians that he somehow just happened to be there with when they kicked off?â
I swivel back around and decide not to tell her the topic of tonightâs disquisition, and not just because itâs a dinosaurâs right to graze wherever he pleases. Talking about a book in progress sucks away its oxygen, fills up with contaminating chit-chat the brain-breathing empty spaces it requires to flow and sow and grow. Sometimes Sara would casually ask me what I thought about this or that subject, and Iâd excitedly answer that I was writing about that very thing in the book I was working on, so for now could only say it was an interesting question I hoped to do justice to in my novel and that maybe we could talk about it after sheâd had a chance to read what I had to say. To which she would usually reply that sheâd really just prefer to have a conversation with her husband and not have to wait for publication day. To which I would usually get us talking about something else. Good manners get in the way of good art.
âNo one youâd know,â I say. âNo one youâd find
Legs McNeil, Jennifer Osborne, Peter Pavia