like Wattenblath Street. Theyâre trying to hit the flaming railway again.â A red flicker was filling the room. Ivy sat down with the baby, saying, half to herself, âI hate all this. What a world to bring a baby into.â She froze as the whistling sound of a bomb came again. âSid,â she cried, âSid â weâre going to die ââ But the crash came a little further off. âCome away from that window, Sid,â she yelled. âPull the curtains.â
Sid, drawing the blackout curtains across the window, said, âTake it easy, love. Iâll put the kettle on.â He came across the small room and kissed the top of the babyâs head. âBe all right,â he told her, âtheyâre on the run.â He turned on the light.
Ivy went on feeding the baby. She said, âSomeoneâs knocking at the door. Better open up.â
Sid went to open the door and came in again followed by a thickset man of about thirty wearing a rough khaki tunic and trousers. He hesitated in the doorway, seeing Ivy feeding the baby. âOh â excuse me, Ivy,â he said. âJust wondered if I could shelter here until itâs over. I didnât realize ââ
âCanât stand on ceremony in times like these,â Ivy said briskly. âCome on in. Sidâs just put the kettle on.â She gave him a careful look, then rearranged her dress and put the baby back in its basket, where the little girl whimpered and then fell asleep.
Once again the house shook. Sid ran to the kitchen window and cried out, âI think they got the depot. Iâll have to go.â
âOh, no, Sid,â wailed Ivy. âDonât go â you canât do any good.â
Sid was putting on his coat, saying, âItâs no good, Ivy. Theyâll all be in there â Harry, Jim Jessop, all of them. Half of them are coming off shift and the other halfâs going on.â
âYou canât help, Sid,â she cried. She jumped up and took his coat by the sleeve. âFor Godâs sake, think of the rest of us.â
âIâm another pair of hands, Ivy,â he said. âThatâs what they need. Raidâs mostly over, anyway. You can hear the ack-ack guns making short work.â
âTheyâve only got to drop one more,â said Ivy. âAnd thatâs you gone. Think of that.â
He said urgently, âIvy, love, Iâve got to go â what sort of a man would I be?â
Ivy sighed and dropped his sleeve. âAll right. Go if youâve got to,â she said. He put on his cap and went out. She followed him onto the pavement. The sky to the west was red with fire. A plane droned overhead. There was gunfire. They stood outside the house with their heads bent, as if that would protect them from the bombs.
âDonât leave me and Shirley in the house with that gangster,â she whispered. âAnything might happen.â
âHeâs harmless,â said Sid. âHeâs in the army now.â
âHeâs gone AWOL,â said Ivy. âHeâll be posted as a deserter. Heâs done time for half-killing a woman, Sid. How can you go and leave me here with him?â
âHe never touched a woman,â said Sid. âOh, well â his wife â thatâs different, isnât it? Listen, Arnie Rose is perfectly all right as long as you know him. Whatâs more, this is just an excuse to keep me back. You were at school with him. Youâre no more afraid of him than I am. Iâve got to go. The raidâs nearly over. I have to go down to the bus depot and see if anybodyâs hurt.â
The skies were quieter now. The gunfire was more sporadic. Ivy looked up and then across at the red glow along the skyline. She said, âAll right, Sid. Look after yourself.â
âWeâll meet again,â he said. He went off down the pavement into the darkness. She
Bill O’Reilly, Martin Dugard