that empty propane canister behind the dresser. Apart from the money, I was proud of myself cos I had beaten olâ Fricozoid at somethinâ.
See, Pops asked Frico first to write a composition about his father. Told him heâd get the ten dollars and everything. But olâ Frico he just couldnât help himself. He had to tell the truth. He wrote somethinâ about Pops not knowinâ how to love and care for a woman, and how women need to be cared for, especially the mother of his children â and all that. Well, look: I agreed with Frico one hundred per cent, but that ainât goinâ get you no money.
So I sat down, gathered my big brothers around me, took out my dictionary and wrote Mr Alrick Beaumont a poem. Not a composition... a poem. Oooh â you shoulda seen that money cominâ out of his wallet. He wanted to give me one big, borinâ old Ten Spot just like that, but I told him I needed ten one-dollar bills, so I could throw them up in the air andcount them over and over. Freeze frame . And for his honesty, Frico got squat.
Of course, Valerie Beaumont found out about the whole poetry-sweepstakes thing and she silently raised hell .
It was one of those whisperinâ arguments done inside when we kids were out in the yard playinâ soccer penalty shootouts. Pa Campbell had just come over to help Pops raise the porch again. We had to do this every year or so because of the subsidence in the swamp â and the porch, which was on the softer side closer to the water, always sank faster. Pops used to say if I shut up long enough I could hear the house sinkinâ. Anyway, they dumped a load of marl and gravel and took apart the porch, and while Pa was busy hammerinâ, Moms and Pops used the noise for cover.
âI donât know what the big deal is, Valerie.â
âOh, you mean apart from teaching your child to gamble and using money we donât have?â
âGamble!â
âYes, gamble. And bribery. Tryinâ to buy their loyalties. To prove youâre special.â
âWhatâs botherinâ you, Valerie?â
âDo you know why weâre here? Cos Iâve always believed in you. I look into the sky at night and I know that the man I married helped put rockets all the way up there.â
Her voice went softer, so I had to press my ear up against the frosted-glass louvre. It was cold.
âAlrick â he can do anything. But one thing he canât do is take us out of this swamp.â
âIs that whatâs botherinâ you?â
âWhatâs botherinâ me is that your chilâren are losinâ the father they know... that weâre poor... that we been here too long.â
âHere we go again. Youâve neverââ
âSee that old PVC pipe out in the yard? The one that leads from the tank? That plastic pipe is a symbol for me.â
âJeez...â
âItâs above ground, Alrick, above ground . And do you remember why? Cos when we just got here, you said: âLetâs not even bury that pipe, cos itâs only temporary... all temporary.â Soon the cityâll be sweepinâ through here and weâll be in a better place. Now congratulations on finishinâ the well, but that pipe is still there.â
âLook, Valââ
âNo, you look around you, Alrick! Iâm still here â weâre all still here â taking it lying down just like that plastic pipe. The city is afraid of these backwaters. And meanwhile, you think itâs OK to give your chilâren money to feed your vanity?â
And then Pa Campbell hammered up a storm â and I was happy, cos I didnât want to hear any more. I went up into the tree for a cold drink and looked into the city.
Well, by early the followinâ year, we started goinâ to church more and âspendinâ more time as a familyâ, as Moms put it. On weekdays, as soon she got home