This Republic of Suffering

Free This Republic of Suffering by Drew Gilpin Faust

Book: This Republic of Suffering by Drew Gilpin Faust Read Free Book Online
Authors: Drew Gilpin Faust
cool calculation, the purposefulness, and the asymmetry of risk involved in sharpshooting rendered it even more threatening to basic principles of humanity than the frenzied excesses of heated battle. When twelve soldiers from a regiment of Union sharpshooters were taken prisoner in Virginia in 1864, a local Petersburg newspaper argued for their execution: “in our estimation they are nothing but murderers creeping up & shooting men in cold blood & should receive the fate of murderers.” After enduring twenty-four days of steady and debilitating sniper fire between Union and Confederate troops near Port Hudson, Louisiana, John De Forest confessed, “I could never bring myself to what seemed like taking human life in pure gayety.” Men who had displayed great courage in battle had broken down “under the monotonous worry” generated by sniper fire. De Forest judged it a “sickening, murderous, unnatural, uncivilized way of being.” Men who could kill others in this way were not men as De Forest had before the war understood them to be; they violated his assumptions about both human nature and human civilization; he believed they undermined what defined their human selves. 20

    â€œThe Army of the Potomac—A Sharp-Shooter on Picket Duty.” Engraving from an oil painting by Winslow Homer.
Harper’s Weekly,
November 15, 1862
.

    Dehumanizing the enemy is a common means of breaking down restraints against killing. Military training and propaganda often explicitly encourage such behavior, and soldiers themselves are inventive at differentiating and demeaning those whom they are assigned to destroy—be they Krauts or Nips or Slopes, to cite three twentieth-century examples. In the mid-nineteenth century, racism served to place African American soldiers in particular peril. Even in the Union army the 180,000 black soldiers who enlisted beginning in 1862 faced degrading inequalities in pay and opportunity. Constituting nearly 10 percent of federal forces, they served under white officers and were overwhelmingly assigned to labor details and fatigue duty rather than entrusted with the responsibilities of combat.
    For Confederates, black troops represented an intolerable provocation. To permit blacks to serve as soldiers, Howell Cobb of Georgia declared, suggested “our whole theory of slavery is wrong.” These inferior beings, he believed, were incapable of the courage required for battle. But for white southerners, the issue was not primarily one of racial theories. The terrifying actuality of a force of armed black men seemed equivalent to a slave uprising launched by the federal government against the South. White southerners feared and detested African American troops. Mary Lee, who had endured three years on the front lines in embattled Winchester, Virginia, felt “more unnerved” by the appearance of black Union soldiers in 1864 “than by any sight I have seen since the war [began].” 21
    Confederate soldiers regarded black troops as “so many devils,” whose very presence in the South justified their deaths. As the
Arkansas Gazette
proclaimed, “Arming negroes, as soldiers or otherwise, or doing any thing to incite them to insurrection is a worse crime than the murder of any one individual: Therefore, all officers and soldiers…guilty of such practices…should be punished as murderers.” Southern soldiers did victimize black Yankees, with atrocities that ranged from slaughter of prisoners to mutilation of the dead. W. D. Rutherford of South Carolina boldly declared his intentions in a letter he sent to his wife before an 1864 engagement with a regiment of U.S. Colored Troops: “The determination in our army is to kill them all and spare not.” The Fort Pillow massacre of April 1864, when Nathan Bedford Forrest’s men killed nearly two-thirds of the approximately three hundred black soldiers present, most after they had

Similar Books

Bride

Stella Cameron

Scarlett's Temptation

Michelle Hughes

The Drifters

James A. Michener

Berried to the Hilt

Karen MacInerney

Beauty & the Biker

Beth Ciotta

Vampires of the Sun

Kathyn J. Knight