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Haitian Americans
Avenue. While you're waiting for the next fiesta, the Manpower counselor told us, you have to work. There's work for everyone in America (the old carrot and stick, brother). We've got you coming and going. What? Work? Our Bedouin didn't come here to work. He crossed the desert and sailed the seas because he'd been told that in America the girls were free and easy. Oh, no, you didn't quite understand! What didn't we understand from that showy sexuality, that profusion of naked bodies, that total disclosure, that Hollywood heat? You should know we have some very sophisticated devices in the desert; we can tune in America. The resolution is exceptional, and there's no interference in the Sahara. In the evening, we gather in our tents lit by the cathode screen and watch you. Watching how you do what you do is a great pleasure for us. Some pretty girl is always laughing on a beach somewhere. The next minute, a big blond guy shows up and jumps her. She slips between his fingers, and he chases her into the surf. She fights, but he holds her tight and both of them sink to the bottom. Every evening it's the same menu, with slight variations. The sea is bluer, the girls blonder, the guys more muscled. All our dreams revolve around this life of ease. That's what we want: the easy life. Those breasts and asses and teeth and laughter—after a while, it started affecting our libido. What could be more natural? And now, here we are in America, and you dare tell us that we didn't understand? Understand what? I ask the question again. What were we supposed to have understood? You made us mad with desire. Today, we stand before you, a long chain of men (in our country, adventure is the realm of men), penises erect, appetites insatiable, ready for the battle of the sexes and the races. We'll fight to the finish, America.
A CAGE OF WORDS
Joel Dreyfuss
I call it "the Phrase" and it comes up almost anytime Haiti is mentioned in the news: the Poorest Nation in the Western Hemisphere. These seven words represent a classic example of something absolutely true and absolutely meaningless at the same time.
On a recent trip to Haiti, I asked a young journalist working for an international news organization why the Phrase always appeared in her stories. "Even when I don't put it in," she confided, "the editors add it to the story."
The Phrase is a box, a metaphorical prison. If Haiti is the poorest country in the Western Hemisphere, that fact is supposed to place everything in context. Why we have such suicidal politics. Why we have such selfish politicians. Why we suffer so much misery. Why our people brave death on the high seas to wash up on the shores of Florida. After all, in this age where an advocacy of free markets is a substitute for foreign policy and Internet billionaires are created by the minute, being poor automatically makes you suspect. You must have some moral failing, some fatal flaw, some cultural blindness to not be prosperous. And what applies to the individual also applies to entire countries.
In my parents' generation, more than a few middle-class Haitians tried to deny that poverty back home was so prevalent. When I heard older Haitians stammer and object to the characterization, I wondered if they were trying to put Haiti's best foot forward, or just trying to convince themselves. Of course, the poverty was not always as obvious as it is now, having moved from the countryside into Port-au-Prince so that it spills into the main thoroughfares and the fashionable neighborhoods. Too many of us Dyasporas, having the advantage of distance to confront the truths of Haiti, would not even consider denying the desperate state of our poor brethren.
But the Phrase still grates with us because it also denies so much else about Haiti: our art, our music, our rich Afro-Euro-American culture. It denies the humanity of Haitians, the capacity to survive, to overcome, even to triumph over this poverty, a historical experience we share with so