Tags:
Drama,
American,
USA,
Contemporary Fiction,
Poetry,
translation,
Literary Fiction,
Washington (D.C.),
Novel,
Virginity,
italian,
Mountains,
Shepherd,
immigration,
cross-dressing,
Translated fiction,
Rite of passage,
Frontiers,
realism,
Albania,
women’s literary fiction,
emigration,
transvestism,
Albanian,
sworn virgins,
Kanun,
Hana Doda,
patriarchy,
Rockville,
Rrnajë,
raki,
Gheg,
kulla,
Hikmet,
Vergine giurata
much better.â
He eats with gusto, even though itâs painful to swallow. The waiterâs uniform is crumpled. He doesnât show them much respect because heâs heard their northern accents, but none of them minds. Katrina canât accept the fact that somebody is serving her at the table.
âRelax, Auntie, this is what they do here. Itâs a restaurant.â
âIâm so ashamed. Sitting here and being served by a man! What is the world coming to?â
âBut heâs a waiter. That is what heâs paid to do.â
Their room is on the third floor. Hana is going to the college dorm for the night. In the morning sheâll get up early so none of her roommates can ask her any questions.
As soon as they get to their room, Katrina falls asleep. Her heart has not behaved very well today. Before leaving the hospital, the village doctor gave her some pills.
Hana and Gjergj stand out on the narrow balcony. He smokes. Down on the street, people are taking their traditional evening stroll; nobody wants to go home.
âWhy do you want to make me have this surgery, dear daughter?â Uncle Gjergj asks. âYou know thereâs no point.â
âThe doctors say thereâs hope.â
âTheyâre just experimenting on me, Hana. Youâre an adult now. Youâll soon be a woman who knows about life. Iâve had my share in this lifetime. Whatâs the point in my hanging on any longer?â
This must be the tenth time theyâve talked it over. His strength is leaving him. She can hear it in his voice, she can feel it in his hunched shoulders, however much effort he puts into standing up straight.
âDo it for me, Uncle Gjergj. Let them do the surgery for me.â
âI am doing all this for you. I donât want to make you or Katrina suffer.â
âWhat Iâm saying is I want you to give it a try. Maybe the doctors will open you up and find itâs not as serious as theyâre all saying it is.â
âI feel thereâs nothing to be done, Hana.â
âI beg you,â she says, melting into tears. âHave the surgery. Iâve never begged you before.â
Gjergj says nothing for a long time.
âJust let me go,â he pleads, in the end.
Under the balcony a military truck goes by. The soldiers are sitting in two silent rows. The streetlights tint their faces sepia.
âWhat about Auntie? Donât you care about her?â Hana says, trying one last tack.
âOf course I care about her. We have talked, Katrina and I.â
âAnd?â
âShe wants me to have the surgery too.â
âYou see? How can you give up? Youâve never balked at anything.â
âWhat do you know, little girl?â Gjergj mumbles, his smile twisted. âI certainly have! Many a time ⦠but there are so many things you donât know. Our mountains under the communists ⦠Iâm not the man you think I am.â
What sheâs saying is heartless, she thinks. What they are saying, what sheâs asking him to do, this whole sea of words, itâs all heartless.
âJust do it for me,â she tries one last time. âIâm begging you on my knees. Youâve had a bullet stuck in your body for forty years and youâve never complained. Whatâs a scalpel to you?â
Hana canât stop crying. Her chin touches her neck and the tears drip down onto her dress.
Itâs not a heart, I say, itâs a sandal of buffalo leather, it tramps and tramps, it never falls apart â but treads the stony paths. 8
âFine,â Gjergj says. âIâll do it. Now get out, before I change my mind.â
At that hour there are no buses, just the whirring of bicycle pedals: pairs of phantom wheels and the pale luminescence of the handlebars. The darkness hides the cyclists.
The dorm supervisor looks at her disapprovingly.
âDidnât they teach you how to