academy of the future is opening its doors
my dream a crumpled horn
Under the blue sky the big earth is floating into “The Poems.”
“A fruitful vista, this, our South,” laughs Andrew to his Pa.
But his rough woe slithers o’er the land.
Ford Madox Ford is not a dream. The farm
was the family farm. On the real farm
I understood “The Poems.”
Red-faced and romping in the wind, I, too,
am reading the technical journals. The only travelled sea
that I still dream of
is a cold black pond, where once
on a fragrant evening fraught with sadness
I launched a boat frail as a butterfly
LXXV
Seurat and Juan Gris combine this season
to outline Central Park in geometric
trillion pointed bright red-brown and green-gold
blocks of blooming winter. Trees stand stark-naked
guarding bridal paths like Bowery
Santa Clauses keeping Christmas safe each city block.
Thus I, red faced and romping in the wind
Whirl thru mad Manhattan dressed in books
looking for today with tail-pin. I
never place it right, never win. It
doesn’t matter, though. The cooling wind keeps blowing
and my poems are coming.
Except at night. Then
I walk out in the bleak village and look for you
LXXVI
I wake up back aching from soft bed Pat
gone to work Ron to class (I
never heard a sound) it’s my birthday. I put on
birthday pants birthday shirt go to ADAM ’ S buy a
pepsi for breakfast come home drink it take a pill
I’m high. I do three Greek lessons
to make up for cutting class. I read birthday book
(from Joe) on Juan Gris real name José Vittoriano
Gonzáles stop in the middle read all
my poems gloat a little over new ballad quickly skip old
sonnets imitations of Shakespeare. Back to books. I read
poems by Auden Spenser Pound Stevens and Frank O’Hara.
I hate books.
I wonder if Jan or Helen or Babe
ever think about me. I wonder if Dave Bearden still
dislikes me. I wonder if people talk about me
secretly. I wonder if I’m too old. I wonder if I’m fooling
myself about pills. I wonder what’s in the icebox. I wonder
if Ron or Pat bought any toilet paper this morning
LXXVII
“ DEAR CHRIS
it is 3:17 a.m. in New York city, yes, it is
1962, it is the year of parrot fever. In
Brandenburg, and by the granite gates, the
old come-all-ye’s streel into the streets. Yes, it is now,
the season of delight. I am writing to you to say that
I have gone mad. Now I am sowing the seeds which shall,
when ripe, master the day, and
portion out the night. Be watching for me when blood
flows down the streets. Pineapples are a sign
that I am coming. My darling, it is nearly time. Dress
the snowman in the Easter sonnet we made for him
when scissors were in style. For now, goodbye, and
all my love,
The Snake.”
LXXVIII
Too many fucking mosquitoes under the blazing sun
out in the stinking alley behind my desk! too many
lovely delicious behinds fertilizing the park! the logic
of childhood is not genuine it shines forth
so rare
Dear Ron: Keats was a baiter of bears who died
of lust! Today I think about all those radio waves
The academy of my dreams is opening its doors
Seurat and Juan Gris combine this season
Except at night!
Then I walk out in the bleak village
in my dreams, for they are present! I wake up
aching from soft bed Back to books. It is 3:17 a.m. in
New York city
The Pure No Nonsense:
and all day “Perceval! Perceval!”
LXXX
How strange to be gone in a minute
Bearden is dead Gallup is dead Margie is dead
Patsy awakens in heat and ready to squabble
Dear Chris, hello. It is 5:15 a.m.
I rage in a blue shirt, at a brown desk, in
A bright room, sustained by the darkness outside and
A cast-off emotion. A hard core is “formed”
That the angels have supereminent wisdom is shown
“He Shot Me” was once my favorite poem
Speckled marble makes my eyes ache as I rest on
The only major statement in New York
Diane Lierow, Bernie Lierow, Kay West