down to Maggieâs door. She tried the handle and couldnât turn it, then began whimpering.
Maggie lay on Gretchenâs bed in a haze of resentment. Now she was going to have to tend to Stevie!
Polly, on the other side of the door, was already doing so. Maggie heard her as she carried Stevie away again. In a moment she heard Stevie giggling. Polly switched on the TV. Maggie put her head under a pillow, and hid from her life.
âSometimes theyâre just too much.â As soon as Maggie settled onto Rachelâs wonderful stuffed chair, the tears sprang from her eyes and her throat was choked. At least Rachel would understand. She had two kids, too, Mason, who was Jayâs age, and Leah, who was four. Suddenly there were a thousand things Maggie wanted to say. She wanted to tell Rachel how bad the week was goingâand it was only Tuesday! She wanted to ask her what she did when Mason was sassy and sour and sad. She wanted to ask if Leah had outgrown that terrible baby neediness yet.
Rachel put her palm against her own chest. âYou have to find the placeâin hereâwhere you are the truest you. You have to protect it. Childrenâoh, they need you, of course they do, and you want to give them what they need, but if you arenât nurturing your self , what kind of mother can you be, anyway? If you are an artist and you put away your paints? A writer and you close the drawer on your manuscript? Children need parents who are whole and authentic.â
Maggie didnât think she and Rachel were talking about the same things at all.
âOf course you donât write,â Rachel said.
âOr paint.â Maggie smiled, thinking it was better if she made light of her lack of talent.
Rachel settled onto a chaise lounge across from Maggie. âOnce you have a child, everyone sees you as part of a unit. I had to change therapists two times to get away from the family systems bias. Kids or not, I want to be an individual. My work doesnât have anything to do with the kids. The writing, I mean.â She crossed her legs and settled down deeper in the cushions. âIâm thinking about taking a leave from teaching. We donât really need the money. Iâve hit a plateau with this manuscript. Thereâs something deeper evading me, and I donât think I can dig down to it when I have so many distractions. Actually, it may not be a matter of digging. It may be a matter of soaring, of finding the overarching theme, the ultimate story. You know what I mean?â
Maggie nodded yes, but she felt dizzy with bafflement. She also felt intimidated. It was Rachel who had asked her to join their splinter group when the larger book group broke up. Right away it was obvious she wasnât as well-read, as knowledgeable as Nora or Rachel, but neither was Gretchen (whom Maggie had immediately suggested), and they were never unkind. Rachel was in some way the groupâs spirit: she chided them to probe inside, to think harder, to relate everything, ultimately, to the deepest part of themselves. Maggie often felt a mistiness in her own thinking, as if Rachelâs concepts were just out of reach, obscured, but attainable, if she made the effort. She had always felt she should try.
Rachel gazed beyond Maggie, at the wall behind, where there were a dozen or more photographs of herself at various ages. âWhen I began this novel, I thought it was a journey story. Daphne moves out from the houseâat night, I told you this before, didnât Iâin circles, widening the territory, exploring the night of her neighborhood, her town, even as she is exploring her own dark sideâand the circles widen, and I thought, well, eventually sheâll go out far enough that she wonât come back. Sheâll be free, sheâll be somewhere she hasnât been before. Then I realized there had to be something more objective than that, something tangible, a desire, and I
S.R. Watson, Shawn Dawson