Free From the Elephant's Back by Lawrence Durrell Page B

Print.
    â€”——. “Personal Landscape.” The London Magazine 5.12 (1966): 63–65. Print.
    Fone, Byrne R.S. The Columbia Anthology of Gay Literature: Readings from Western Antiquity to the Present Day . New York: Columbia UP, 2001. Print.
    Forster, E.M. Alexandria: A History and A Guide . Ed. Michael Haag. London: Michael Haag Ltd., 1982. Print.
    â€”——. Pharos and Pharillon . Richmond: Hogarth Press, 1923. Print.
    Fraenkel, Michael. Bastard Death: The Autobiography of an Idea . Paris: Carrefour, 1936. Print.
    Fraser, G.S. “City of Benares.” Personal Landscape 1.3 (1942): 12. Print.
    â€”——. “Ideas About Poetry VI: Mathaios Pascalis His Ideas About Poems.” Personal Landscape 2.3 (1944): 2. Print.
    Freud, Sigmund. The Ego and the Id . Trans. James Strachey. London: Hogarth Press, 1923. Print.
    â€”——. The Future of an Illusion . Trans. James Strachey. London: Hogarth Press, 1968. Print.
    Gascoyne, David. “Fellow Bondsmen.” Deus Loci: The Lawrence Durrell Journal NS 1 (1992): 4–7. Print.
    Gibbons, Thomas. “‘Allotropic States’ and ‘Fiddle-bow’: D.H. Lawrence’s Occult Sources.” Notes and Queries 35.3 (1988): 338–41. Print.
    Gifford, James. “Anarchist Transformations of English Surrealism: The Villa Seurat Network.” jml: Journal of Modern Literature 33.4 (2010): 57–71. Print.
    â€”——. “Durrell’s Delta and Dylan Thomas’ ‘Prologue to an Adventure.’” In-Between: Studies in Literary Criticism 13.1 (2004): 19–23. Print.
    â€”——. “Editor’s Introduction.” Pied Piper of Lovers . Victoria, BC: ELS Editions, 2008. vii–xvii. Print.
    â€”——. “Editor’s Preface.” Panic Spring: A Romance . Victoria, BC: ELS Editions, 2008. vii–xiv. Print.
    â€”——. “Hellensim/Modernism: Negotiating Modernisms and the Philhellene in Greece.” Ed. Tatiani Rapatzikou. Anglo-American Perceptions of Hellenism . Newcastle: Cambridge Scholars Publishing, 2006. 82–97. Print.
    â€”——. “Noses in The Alexandria Quartet .” Notes on Contemporary Literature 34.1 (2004): 2–4. Print.
    â€”——. Personal Modernisms: Anarchist Networks and the Later Avant-Gardes . Edmonton: U of Alberta P, 2014. Print.
    â€”——. “Surrealism’s Anglo-American Afterlife: The Herbert Read and Henry Miller Network.” Nexus: The International Henry Miller Journal 5 (2008): 36–64. Print.
    Gifford, James, and Michael Stevens. “A Variant of Lawrence Durrell’s Livia; or, Buried Alive and the Composition of Monsieur; or, the Prince of Darkness .” Lawrence Durrell at the Crossroads of Arts and Sciences . Eds. Corinne Alexandre-Garner, Isabelle Keller-Privat, and Murielle Philippe. Paris: Presses Universitaires de Paris Ouest, 2010. 173–93. Print.
    Godshalk, William Leigh. “Some Sources of Durrell’s Alexandria Quartet.” Modern Fiction Studies 13.3 (1967): 361–74. Print.
    Green, Roger. “Lawrence Durrell: The Spirit of Winged Words.” Aegean Review Fall–Winter (1987): 8–25. Print.
    Groddeck, Georg. The Book of the It . New York: Funk & Wagnalls Company, 1923. Print.
    Gwynne, Rosalind. “Islam and Muslims in The Alexandria Quartet .” Deus Loci: The Lawrence Durrell Journal NS 5 (1997): 90–102. Print.
    Haag, Michael. Alexandria City of Memory . New Haven: Yale UP, 2004. Print.
    Hammond, Andrew. The Balkans and the West: Constructing the European Other, 1945–2003 . Aldershot: Ashgate, 2004. Print.
    H.D. Tribute to Freud . New York: New Directions, 1972. Print.
    Hepburn, Charles. “The Ironclad.” Personal Landscape 2.2 (1944): 9. Print.
    Herbrechter, Stefan. Lawrence Durrell, Postmodernism and the Ethics of Alterity . Amsterdam: Rodopi, 1999. Print.
    Hirst, Anthony. “‘The Old