thereâs the hangers-on like the bony Needles Ferry, mumbling Johnny Mullen, the half-Italian âDago Tomâ Montague, best friends Eddie Hughes and Freddie Cuneen, the Simpson brothers, the mental case Garry Barry and his lone crony James Cleary, Happy Maloney, the limping Gimpy Kafferty, and Fred Honeybeck. Most are there, but Mick Gilligan is not, since heâs dead by now, shot in the back of the head by young Richie Lonergan. Nor is the secretive dockboss of the Atlantic Terminal, Harry Reynolds, present, as heâd already beat the place upon receiving his take from the divvy, as usual.
Tanner pushes the back of my shoulder while the men look upon me gravely. As we pass I see Petey Behan and the other Lonergan boys sitting around a small table with half-drunk beers on it, eyeballs at the corners of heads staring daggers at me.
âHow go it, Tanner?â the pavee fighter Tommy Tuohey says quickly while manning his post guarding the stairwell.
Tanner nods, then whispers to Tuohey, who runs upstairs, knocks, grunts something when the door opens, comes back downstairs, and throws a thumb over his shoulder to us. âGâon up.â
Vincent Maher opens the door, the grip of a .38 protruding from his belt, tight trousers clearly displaying his phallus lying to a side. A gallous dresser, Vincent is. Vest unbuttoned, belt unbuckled. Skinny and handsome and full-haired and ready, he comes out to the hallway with Tanner and myself and closes the door behind him.
âListen, kid,â Vincent says. âIâm gonna give ya the terms. Listen. Shitâs serious, aâright?â
âAll right.â
âItâs four months tâday McGowan is killed up in Sing Sing. We all know Lovett ordered it and Pickles Leighton got the screws to do it from the inside. We all know Lovett was behind it. Ainâ no secret there. We mightâve won tâings down here in Brooklyn, but on the inside we lost. Pickles is still up there now recruitinâ guys in Sing Sing and when they get out, we donâ even know who they are, got it?â Vincent says to me, wiping his nose with a knuckle in the dark stairwell, a lone small window running light over his shoulder as he speaks. âA man close to Dinnyâs heart, was McGowan, ya know? Damn close. It was a hard war we won before you even landed here. I donât blame it if ya donât appreciate it all the way, but Iâm here to tell ya it was a struggle to get where we are now. I myself went to war right alongside McGowan when I was your age . . . your age! And the man was a fookinâ soldier through to the heart of âem. But lemme tell ya somethinâ, Dinny anâ McGowan went way back. On the streets together, no help from nobody. So Dinny . . . heâs been thinkinâ a lot about McGowan tâday. About how close they was, them two. And you. You too. Dinny started gettinâ close witâ ya, so when he heard ya lamâd it to Manhattân on ya own? On this day oâ days? Naturally, heâs got a bit oâ the mopes. Lookinâ back on his olâ friend. Who he went to battle witâ? McGowan? Then this? Understand?â
âI do.â
âGood, hereâs what I want ya to do. I want ya to shut ya hole when ya walk in there anâ listen. Just listenâs all. Can ya do that?â
âI can.â
âThanks again, Tanner,â Vincent says, quickly moving the conversation toward him. âYa hanginâ out a bit?â
âFor a while, yeah.â
âRight, ya heard anythinâ about Thos Carmody, the ILA feller?â Vincent winks.
âHeard heâs missinâ,â Tanner says. âReal shame.â
âLetâs go,â Vincent says, pointing in my face. âAnâ you. Just keep it shut, you.â
As I pass through the door Vincent tightens his belt. But even back then I knew the face he had when violence was on the wing,