Free The Way to Rainy Mountain by N. Scott Momaday

Page 4
whatever you want." And it was so. The great adventure of the Kiowas was a going forth into the heart of the continent. They began a long migration from the headwaters of the Yellowstone River eastward to the Black Hills and south to the Wichita Mountains. Along the way they acquired horses, the religion of the Plains, a love and possession of the open land. Their nomadic soul was set free. In alliance with the Comanches they held dominion in the southern Plains for a hundred years. In the course of that long migration they had come of age as a people. They had conceived a good idea of themselves; they had dared to imagine and determine who they were.
In one sense, then, the way to Rainy Mountain is preeminently the history of an idea, man's idea of himself, and it has old and essential being in language. The verbal tradition by which it has been preserved has suffered a deterioration in time. What remains is fragmentary: mythology, legend, lore, and hearsayand of course the idea itself, as crucial and complete as it ever was. That is the miracle.
The journey herein recalled continues to be made anew each time the miracle comes to mind, for that is peculiarly the right and responsibility of the imagination. It is a whole journey, intricate with motion and meaning; and it is made with the whole memory, that experience of the mind which is legendary as well as historical, personal as well as cultural. And the journey is an evocation of three things in particular: a landscape that is incomparable, a time that is gone forever, and the human spirit, which endures. The imaginative experience and the historical express equally the traditions of man's reality. Finally, then, the journey recalled is among other things the revelation of one way in which these traditions are conceived, developed, and interfused in the human mind. There are on the way to Rainy Mountain many landmarks, many journeys in the one. From the beginning the migration of the Kiowas was an expression of the human spirit, and that expression is most truly made in terms of wonder and delight: "There were many people, and oh, it was beautiful. That was the beginning of the Sun Dance. It was all for Tai-me, you know, and it was a long time ago."

 

Page 5
Introduction
A single knoll rises out of the plain in Oklahoma, north and west of the Wichita Range. For my people, the Kiowas, it is an old landmark, and they gave it the name Rainy Mountain. The hardest weather in the world is there. Winter brings blizzards, hot tornadic winds arise in the spring, and in summer the prairie is an anvil's edge. The grass turns brittle and brown, and it cracks beneath your feet. There are green belts along the rivers and creeks, linear groves of hickory and pecan, willow and witch hazel. At a distance in July or August the steaming foliage seems almost to writhe in fire. Great green and yellow grasshoppers are everywhere in the tall grass, popping up like corn to sting the flesh, and tortoises crawl about on the red earth, going nowhere in the plenty of time. Loneliness is an aspect of the land. All things in the plain are isolate; there is no confusion of objects in the eye, but one hill or one tree or one man. To look upon that landscape in the early morning, with the sun at your back, is to lose the sense of proportion. Your imagination comes to life, and this, you think, is where Creation was begun.
I returned to Rainy Mountain in July. My grandmother had died in the spring, and I wanted to be at her grave. She had lived

 

Page 6
to be very old and at last infirm. Her only living daughter was with her when she died, and I was told that in death her face was that of a child.
I like to think of her as a child. When she was born, the Kiowas were living the last great moment of their history. For more than a hundred years they had controlled the open range from the Smoky Hill River to the Red, from the headwaters of the Canadian to the fork of the Arkansas and Cimarron. In