Free Singin' and Swingin' and Gettin' Merry Like Christmas by Maya Angelou

next show, Jack, the drummer, came to the dressing room. He had close-set eyes and a sharp countenance, as if his features had run away from his ears to gather at the center of his face.
    “Rita, me and the rest of the cats dig you. Just tell us what you want. We can play anything, but all anybody asks for is ‘Tea for Two’ and ‘Lady in Red’ and ‘Blue Moon’ and everything slow. I play so much draggy music, my butt is dragging. One thing I like about you is you don't drag your butt.” Then he smiled. His lips parted and a million white teeth gleamed. The abrupt change startled me away from my defenses. I stood watching that sparkling smile, unable to think of an appropriate response. His lips suddenly withdrew from the smile with the finality of a door being slammed.
    “Here's the rundown. We'll do ‘Caravan’ first. Then, ‘Night in Tunisia’ and ‘Babalu.’ Then we go back to ‘Caravan.’ Okay?”
    I managed an “O.K.” and Jack left the dank dressing room. I had once fallen in desperate love at first sight when I was seventeen. He was a handsome, cocoa-bean-colored man, whose voice was as soft as mink. He had loved me in return and treated me gently. Now, again, there was a dull whirr in my ears and a tightness around my chest and the man wasn't even handsome, might be a brute or happily married and I didn't even know his last name. I only knew he was a drummer and that the sun rose when he smiled.
    When Eddie announced my last turn, “Here is Rita as the Arabian princess, Scheherazade,” and I went on stage, Jack became the blasé Sultan for whom I danced beautifully When I finished, there was scattered applause. I turned first to Jack, but he was talking to the pianist. Hastily I remembered my manners, and spun around to bow to the audience. The solemn old men still leaned, hands occupied with diluted drinks. I looked over the audience and found Ivonne sitting alone at one of the tray-sized tables. Shesmiled and nodded. I smiled back and walked off the stage. Another patter of hands came from a table by the door. I saw two men at a table lighted yellow by the outside amber neons. One looked like a false eyelashed mannequin; the other was Gerry—spelled with a “G.”
    For the first week after each show, I raced down the concrete stairs and put on my street clothes. Fully dressed, I tried to disregard the contemptuous looks of the strippers who clattered into the room, flung provocative garments over their naked bodies, then without sitting once, went back to the bar and the clients. I was afraid that I would be speechless if a customer spoke and mortified if he didn't. Furthermore, Jack, whose last name I still didn't know, continued to excite my imagination. I couldn't allow him to see me planted on a barstool guzzling down the fraudulent drinks. So when I danced I refused to look at the audience and kept my eyes half shut and my mind centered on Jack.
    “Rita.” The bar was empty, except for the musicians packing down their instruments and the strippers waiting for their nightly take. “Rita.” Eddie's voice caught me with my hand on the door. I turned.
    “Come over here.”
    I walked back to the bar, the air conditioner had stopped its hum and the room had settled in silence. The women seemed to lean toward me in slow motion and the men on the stage might have been dolls handled by a drowsy puppeteer.
    “Rita, we didn't pay your union dues for you to sit downstairs on your can. Do you think that's why we hired you?” He sounded like a teacher admonishing a mischievous child.
    “I thought you hired me to dance.” My voice would not follow my urging and it came out nearly whining.
    A woman snickered in the prurient dark.
    “To dance? Dance?” His cough could have been a chuckle. “This here's no concert hall. This ain't the San Francisco Ballet Company.”
    The pianist laughed out loud. “Lord, ain't that the truth.”
    Eddie continued, “You want the job?”
    Yes. Desperately. I