standing near the trucks, were several burly men glancing at their watches.
âTheyâre going to start tearing the building down soon,â I said to Howie. âI hope we didnât wait too long!â
Making sure we werenât being watched, we sneaked down the alley next to the theater until we came to a door marked STAGE ENTRANCE. Luckily, it was open, probably to allow the workers to make their final preparations.
âOkay, Howie, this is it,â I said. âWeâve got to move fast. Are you nervous?â
âWh-h-h-h-ho, m-m-m-m-me?â Howie replied. His tongue was hanging out of his mouth, his breath was coming in quick, short pants. âN-n-n-no, Iâm n-n-not n-n-n-n-n-nervous!â
I decided this was no time for a debate. âGood,â I said, âthen letâs go.â
The theater was dark and cool inside. Enough light leaked through from cracks and windows here and there to help us see where we were going, but we still managed to bump into things with every fifth or sixth step. Every time we did, Howie would yip excitedly.
âSsh!â I admonished him. âWe donât want to scare Bunnicula.â
And then softly, softly I called out his name: âBun-nic-ula! Bun-nic-ula!â
âBunnicula!â Howie echoed. âItâs us, Howie and Harold.â
The farther we crept into the abandoned theater, the creepier the shadows became, the eerier the silence. At one point, I thought I heard something moving. I stopped and listened and realized that all Iâd been hearing was the pounding of my own heart.
We were in the middle of a very large and very empty room. Having never been in a movie theater before, I couldnât make much sense of it. Then I remembered Mr. Monroe saying that all the seats were being taken out before the demolition began. Apparently, this was the room where people came to watch the movies. There at one end was a big white wall. And there at the other end was a wall with two doors in it. Very high in the center of that wall was a small square opening neatly framing the silhouette of a figureâa figure with two tall ears.
âBunnicula,â I said in a hushed voice.
Howie heard me and looked up, too.
âBut, Uncle Harold,â he said, âHow can Bunnicula be awake? Itâs daytime.â
âThereâs no sunlight in here,â I pointed out. âBunnicula must think itâs still night. Now come onâwe donât have a moment to lose.â
As we made our way cautiously out of the large, empty room, through one of the doors, and up a set of stairs that would take usâI hopedâto the small square opening in the wall that held our friend Bunnicula, I heard the same clock Iâd heard the night before. Only now, it chimed nine times.
Nine oâclock. Why, I asked myself, did that seem significant?
And then I remembered. The demolition was scheduled to begin at nine oâclock this Tuesday morning.
I picked up the pace, and Howie scampered after me. At the top of the stairs, we came to a half-open door. Behind it was a small roomâand there on the wall to our left was the opening weâd seen from below. In the shadowy light, I could make out a pair of eyes glistening. Red eyes. Frightened eyes.
âBunnicula!â I cried. I was all set to leap up and grab him by the neckwhen another set of eyes stopped me dead in my tracks.
âUncle Harold!â Howie called out in alarm. He too had seen them. I could hear him panting rapidly behind me.
âIs it B-Bunniculaâs m-mother?â he sputtered. Was it? I asked myself. Or was it someone else? Something else? Had Howieâs FleshCrawler books gotten to me? Was I imagining some sort of creature who lived in the movie theater, some beast who was about to leap out from the shadows and attack?
There was no time to waste. Either the beast would get us or the wrecking ball would.
âWho are you?â