herself of the Rubybot energy after todayâs lunchtime encounter, she had changed into a Kate Moss for Topshop minidress, black beret, and silver ankle-bootsâall bought during a weekend jaunt to her fatherâs London hotel. As she appraised herself in the mirror, she randomly wondered if Finn Grace would think it was too brand name-y or not artsy enough. But then she was annoyed at herself for even thinking of him.
Tonight was her debut at a new coffee shop (at least, it was new to Coco), called Café Pick Me Upâwhich, Erin assured her, always got a huge crowd of people who understood music. Unlike Finn. So what if he thought her mother ruined music? First of all, Cardammonâs songs were legendary, and okay, maybe they were a tad over-the-top, but what did that have to do with Coco anyway? She was indie. She was artsy. She was her own woman, hear her roar.
Her phone buzzed with a text from Erin:
IM DOWNSTAIRS, BEHIND SWAN POND.
Coco spritzed herself with one final dash of Agent Provocateur and took dainty steps on the green carpet leading to her front door. But on her way out, she saw the door to her private dance studio was mysteriously open. Her motherâs voice floated down the hallway, along with laughter from strangers. What was going on? Cardammon only used the room for her yogalates classes in the mornings, and it was four oâclock in the afternoon.
Curious, Coco peered inside the studio. There, in a floor-length purple sequin gown, was Cardammon, nibbling at a biscotti while two young stylists pinned her dress. It was strapless and tightightight to the knees, where it fanned out in a dramatic flourish. Her mother looked like a cross between Disco Barbie and Barney. A man who Coco recognized as her momâs old choreographer was holding up a small DVD player with a screen for Cardammon to watch.
Cocoâs French bulldog, Madonna, was nuzzled against Cardammonâs foot in a matching purple dog dress. Seeing Coco, Madonna yapped loudly.
âAnd thereâs my beautiful daughter!â Cardammon pointed her half-eaten biscotti at Coco like a wand. Her face was coated in makeup so thick that Coco imagined writing her initials in the foundation. Suddenly, five pairs of eyes were staring at her. The choreographer looked Coco up and down, as if evaluating her potential.
âBaby Cardammon!â cooed one of the stylists, a twentysomething blonde with hair down to her butt.
âNo, luv, thatâs Coco ,â Cardammon corrected. She waved away the stylists working on her train, and turned to her daughter. âDarling, I have a little surprise for you,â she said, stepping down from the platform. Behind her, her minions stood at attention. âNow, I know I said I was retired for good, but theyâve worn me down. Iâm making a comeback!â
Coco turned her head to the side, as though that might help her make sense of what sheâd just heard. Her mother . . . was planning . . . a comeback ? Her eyes darted around the room. There were freestanding clothing racks scattered all over the dance studio, overflowing with outfit choices: silver and gold armor, leather pants with glittering laces down the legs, a tail of peacock feathers, a yellow feather boa, a gown that seemed to be made of lightbulbs. . . .
âIâm back, darling!â
Coco gulped. Cardammon was back all right. And tackier than ever.
At Cardammonâs announcement, the stylists began applauding. One of them pushed a button on the remote and âForever Blue,â her momâs hit single from the â90s, began playing over the studioâs sound system. âI was never convinced the timing was right,â Cardammon continued, waving her fingernails, which were also painted an iridescent purple. âBut you know what they say: Forty is the new twenty. . . .â
Coco glanced at the small screen her momâs choreographer was holding up, and realized in horror that