Free Chronicler Of The Winds by Henning Mankell

were hovering invisibly all around him as he lay there on the roof, waiting for him to return to them and to the life that exists before and after all our lives.
    I asked him nothing more. I knew he would live long enough to answer all my questions when at last, at the end of his long journey, he would come to the night when he was shot.
    That night I also changed the bandage around his chest. I had bought some strips of cloth from Senhora Muwulene. To my surprise, I saw that they were pieces of a torn flag, although I couldn't say from what country. They might also have come from one of the old leftover colonial banners, maybe hidden away in some dark garret because no one knew what to do with it. She had soaked the strips of cloth in a bath of herbs and told me to wait until the breeze from the sea made the air cooler before I changed the bandage. In the flickering light of the kerosene lamp I could see that the two holes from the bullets were beginning to darken. The bullets had not gone straight through his body; there was no exit wound on his back. And there were powder burns on his shirt. Nelio must have been shot point-blank in the chest.
    Nelio knew who had shot him. But that didn't necessarily mean he knew why.
    Or did he? During those nights when he lay on the roof and waited for the spirits to come for him, I never once saw him upset by what had occurred. Had he been expecting it? I was burning to know the answer. But I only asked him once. Then I understood that he was telling his story the way a person lives his life. The events were not scattered about, they were happening all over again, in the same order, through his words.
    One day comes before the next.
    I tried to be gentle, but Nelio was in pain when I changed the sticky, stiff bandage for the strips of flag that Senhora Muwulene had dipped in the bath of red leaves. I saw the way he clenched his teeth, and once he even fainted for a few seconds when I was forced to tug on a scrap of bandage that was stuck to one of the gunshot wounds. Afterwards he lay for a long time saying nothing. The woman who reminded him of his mother stood in the darkness below the roof and pounded her pole on the corn in her mortar. I shivered at the memory of what Nelio had told me the night before. I kept asking myself: Where does the evil in human beings come from? Why does barbarism always wear a human face? That's what makes barbarism so inhuman.
    That night I had a lot to do downstairs in the bakery. A religious sect that was active in the city had placed an order with Dona Esmeralda for a particular type of bread which had to be baked longer than normal. I had made it many times before, so I knew that you had to be more vigilant than usual. But at last I finished the bread for the sect. When I went back up to the roof, Nelio was awake. I gave him water. The night was exceptionally clear, the stars seemed very close. We heard the sound of drums from somewhere in the night. The woman with the corn had fallen silent. Another woman laughed loudly and passionately. Then she too was silent. Dogs howled and mated in the dark; a lorry with a coughing engine passed by on the street below.
    *
    That was when Nelio returned to the river bank, where he had sunk down to rest after his long flight from the bandits. When he continued his story his voice was different from the night before. Then it had been meditative, at times sorrowful and hard. Now there was joy in his voice because the bandits were no longer right behind him.
    Across the river he caught sight of someone. At first he had thought it was an animal, maybe one of the rare white lions he had heard the old people in the village talk about, the lions that heralded great events, although no one could foretell whether the events would be good or bad. Then he saw that it wasn't an animal but a person, a person who was both small and white, a xidjana. Nelio crouched down, because he wasn't sure whether bandits could also be small