Irishmanâs back when McBeth turned around and leaned against the bar. . . .
Â
âYou men waitinâ for me?â he asked.
âWhy would you ask that, senor ?â Chavez asked.
âThereâs a phrase Iâve learned since I got off the boat,â McBeth said. â Itchy trigger finger. You have all got it.â
Chavez looked at the other men, then went for his gun. The other three followed.
McBeth turned. If the bartender had been lying to him, he would have been a dead man, but the barkeep had the shotgun ready and pressed it into McBethâs hands.
The Irishman turned and let loose with both barrels.
He didnât wait to see what the effect was. He dropped the weapon to the floor and drew his own gun. He felt something tug at his side as he fired at Rodriguez. The Mexican went back over a table, his gun flying out of his hand.
It was quiet.
The bartender stuck his head up, looked around at the four fallen men.
â Caramba ,â he said, âyou got them all.â
McBeth looked around. Two men who had been standing close together had been riddled by the shotgun blast. The other two men were lying on their backs.
â Cerveza ?â the bartender asked.
âI guess I need one after that,â McBeth said, turning.
But it occurred to him that two men had died from the shotgun blast, and then he had fired his pistol only once.
â Senor !â the bartender shouted.
Realizing heâd been a fool, McBeth heard the shot before he felt something punch him in the back. He drew his gun, turned, and fired . . .
TWENTY-FOUR
Clint and Ben Weaver rode into Los Ninos six days later. During that time Clint found that Weaver could listen and learn if he tried. The problem was getting him to try. There were times when heâd just stare off into space, and Clint swore there was nothing going on behind his eyes.
The sooner he got rid of Weaver, the better heâd like it. He preferred the company of his horse. At least Eclipse listened all the time.
âThis is nothinâ but a village,â Weaver said. âWhat are we doinâ here?â
âThis is where the tracks led us, remember?â Clint asked. âThe tracks?â
âOh, yeah.â Weaver looked around. âBut look, five buildings.â
âItâs a town, Ben,â Clint said. âItâs got a name and, look, itâs got a cantina. Itâs a town.â
As they dismounted in front of the cantina, Weaver said, âNo hotel. How can anyone stay here?â
âThey probably have rooms in back of the cantina,â Clint said.
âWe ainât stayinâ here, are we?â
âI donât know, Ben,â Clint said. âThat all depends on what we find out inside.â
âWell,â Weaver said, following him in, âat least we can get a beer.â
Â
When they entered there were six other men there, and the bartender, so seven sets of eyes followed them to the bar.
âDos cervezas, por favor,â Clint said.
âSÃ, senor.â
The bartender drew them each beer and set them in front of Clint and Weaver.
Clint knew before he picked it up that the beer was going to be warm. Weaver, on the other hand, didnât know until he sipped it.
âHey,â he complained, âthis is warm.â
âIt is all we have, senor ,â the bartender said.
âDrink it, Ben,â Clint said. âAt least itâs wet.â
Clint could feel the eyes on him. Unless someone recognized him, they probably stared at all strangers who came to Los Ninos.
Still . . .
âWhatâs the problem?â Clint asked the bartender.
â Senor ?â
âWhy is everyone staring,â Clint asked, âincluding you?â
âStaring senor ,â the bartender said with a shrug. âI do not knowââ
âCome on, bartender,â Clint said. âWhatâs going on? Or what went
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