remember, not a word about whatâs been going on. Especially not about the slashed paintings.â
In minutes the two girls were heading up the road toward the Wainwright estate. Bess squeezed Nancyâs arm as she drove. âThis morning, when I woke up, I never dreamed I would be going here. I wish Iâd worn a nicer dress. Do I look all right?â
âYou look fine, better than I do,â Nancy said. She was still wearing the black pants and denim shirt of her waitress uniform.
âDonât worry. The truly rich always dress casually. They donât have to impress anyone,â Bess said confidently. âYou can say you were out playing polo. You just jumped off your Thoroughbred horse and dashed right over, dah-ling!â
âGood idea,â Nancy said, laughing. She reached the estate and pulled into the long drive. The rolling lawn was immaculately groomed. Fruit trees in full pink bloom dotted the landscape, along withsquared-off hedges and sculpted azalea bushes bursting with pink and white blossoms.
At the door, the girls were greeted by a tall, stodgy butler. After she gave her name, Nancy and Bess were directed to a large room off the front foyer.
âThis place is amazing,â Bess whispered, taking in the exquisite antique furnishings and twelve-foot-high ceilings.
âThatâs by Spaziente, I think,â Nancy said, pointing to a painting on the wall. It stood by itself in a gilded frame, just above a long cherry-wood table. âI recognize the style from the paintings in the restaurant.â
âThe guy is kind of in a rut, donât you think?â Bess said, frowning. âHe keeps painting the same thing over and over.â
Nancy saw what her friend meant. All of Spazienteâs paintings seemed to be landscapes of wooded areas. And this was the third time Nancy had come across this scene, showing the lake in the woods. Heâd painted it in summer and in spring. And here it was again. The painting on the wall depicted the same lake and trees, but in autumn, with the woods full of gold and red leaves. Nancyâs eye went to the tree in the lower lefthand corner. That tree stood in exactly the spot where the other paintings had been cut. What was so special about that triangle? She reached out to touch it, then drew back her hand as she heard a voice behind her.
âHello. Iâm Felice Wainwright.â The wealthy widow seemed to glide into the room. Looking her over, Nancy guessed that Felice was in her early fifties. Her blond hair, swept up in a French twist, crowned her perfect features and light blue eyes. A brocade vest topped a flowing blouse of gossamer silk. Tailored tan pants completed the outfit.
Nancy introduced herself and Bess. âI see youâve already spotted Josephâs work,â Felice said, nodding toward the painting. âLike van Gogh, Joseph has the ability to imbue his landscapes with the teeming energy of nature.â
Bess and Nancy exchanged sidelong glances. It was an attractive painting. But Nancy wasnât sure sheâd compare it with a van Gogh. Yet, for the sake of her cover, she had to pretend to be as impressed with the painting as Felice was.
âIt is extraordinary,â Nancy agreed.
âItâs such a shame that Joseph is incarcerated in that awful place,â Felice said with a sigh. âI do hope he gets parole soon. Did you know he was once a brilliant electrical engineer? It seems that whatever he touches is marked with his particular genius.â
âWhy is he in jail?â Bess asked bluntly.
âHe shouldnât be, if you ask me,â Felice said with a wave of her hand. âHe was in debt and got involved with a bank robbery. He was the only one caught. And he didnât hurt anyone.â
âRobbing a bank is still a crime,â Bess pointed out. Nancy frowned at her.
âOf course, but Josephâs such a gentle soul. Heâs hardly a menace