Free Maya Angelou by I know why the caged bird sings Page A

hypnotized by this beautiful lady who talked with her whole body and snapped her fingers louder than anyone in the whole world. We learned the Time Step at Louie's. It is from this basic step that most American Black dances are born. It is a series of taps, jumps and rests, and demands careful listening, feeling and coordination. We were brought before Mother's friends, there in the heavy saloon air, to show our artistry. Bailey learned easily, and has always been the better dancer. But I learned too. I approached the Time Step with the same determination to win that I had approached the time tables with. There was no Uncle Willie or sizzling pot-bellied stove, but there was Mother and her laughing friends, and they amounted to the same thing. We were applauded and given more soft drinks and more shrimp, but it was to be years later before I found the joy and freedom of dancing well.
    Mother's brothers, Uncles Tutti, Tom and Ira, were well-known young men about St. Louis. They all had city jobs, which I now understand to have been no mean feat for Negro men. Their jobs and their family set them apart, but they were best known for their unrelenting meanness. Grandfather had told them, "Bah Jesus, if you ever get in jail for stealing or some such foolishness, I'll let you rot. But if you're arrested for fighting, I'll sell the house, lock, stock and barrel, to get you out!" With that kind of encouragement, backed by explosive tempers, it was no wonder they became fearsome characters. Our youngest uncle, Billy, was not old enough to join in their didoes. One of their more flamboyant escapades has become a proud family legend.
    Pat Patterson, a big man, who was himself protected by the shield of a bad reputation, made the mistake of cursing my mother one night when she was out alone. She reported the incident to her brothers. They ordered one of their hangers-on to search the streets for Patterson, and when he was located, to telephone them.
    As they waited throughout the afternoon, the living room filled with smoke and the murmurs of plans. From time to time, Grandfather came in from the kitchen and said, "Don't kill him. Mind you, just don't kill him," then went back to his coffee with Grandmother.
    They went to the saloon where Patterson sat drinking at a small table. Uncle Tommy stood by the door, Uncle Tutti stationed himself at the toilet door and Uncle Ira, who was the oldest and maybe everyone's ideal, walked over to Patterson. They were all obviously carrying guns.
    Uncle Ira said to my mother, "Here, Bibbi. Here's this nigger Patterson. Come over here and beat his ass."
    She crashed the man's head with a policeman's billy enough to leave him just this side of death. There was no police investigation nor social reprobation.
    After all, didn't Grandfather champion their wild tempers, and wasn't Grandmother a near-white woman with police pull?
    I admit that I was thrilled by their meanness. They beat up whites and Blacks with the same abandon, and liked each other so much that they never needed to learn the art of making outside friends. My mother was the only warm, outgoing personality among her siblings. Grandfather became bedridden during our stay there, and his children spent their free time telling him jokes, gossiping with him and showing their love.
    Uncle Tommy, who was gruff and chewed his words like Grandfather, was my favorite. He strung ordinary sentences together and they came out sounding either like the most profane curses or like comical poetry. A natural comedian, he never waited for the laugh that he knew must follow his droll statements. He was never cruel. He was mean.
    When we played handball on the side of our house, Uncle Tommy would turn the corner, coming from work. He would pretend at first not to see us, but with the deftness of a cat he would catch the ball and say, "Put your minds where your behinds are, and I'll let you on my team." We children would range around him, but it was only when he