Maya Angelou
reached the steps that he'd wind up his arm and throw the ball over the light post and toward the stars.
    He told me often, "Ritie, don't worry 'cause you ain't pretty. Plenty pretty women I seen digging ditches or worse.
    You smart. I swear to God, I rather you have a good mind than a cute behind."
    They bragged often about the binding quality of the Baxter blood. Uncle Tommy said that even the children felt it before they were old enough to be taught. They reminisced over Bailey's teaching me to walk when he was less than three. Displeased at my stumbling motions, he was supposed to have said, "This is my sister. I have to teach her to walk." They also told me how I got the name "My." After Bailey learned definitely that I was his sister, he refused to call me Marguerite, but rather addressed me each time as "Mya Sister," and in later more articulate years, after the need for brevity had shortened the appellation to "My," it was elaborated into "Maya."
    We lived in a big house on Caroline Street with our grandparents for half the year before Mother moved us in with her. Moving from the house where the family was centered meant absolutely nothing to me. It was simply a small pattern in the grand design of our lives. If other children didn't move so much, it just went to show that our lives were fated to be different from everyone else's in the world. The new house was no stranger than the other, except that we were with Mother.
    Bailey persisted in calling her Mother Dear until the circumstance of proximity softened the phrase's formality to "Muh Dear," and finally to "M'Deah." I could never put my finger on her realness. She was so pretty and so quick that even when she had just awakened, her eyes full of sleep and hair tousled, I thought she looked just like the Virgin Mary. But what mother and daughter understand each other, or even have the sympathy for each other's lack of understanding?
    Mother had prepared a place for us, and we went to it gratefully. We each had a room with a two-sheeted bed, plenty to eat and store-bought clothes to wear. And after all, she didn't have to do it. If we got on her nerves or if we were disobedient, she could always send us back to Stamps. The weight of appreciation and the threat, which was never spoken, of a return to Momma were burdens that clogged my childish wits into impassivity. I was called Old Lady and chided for moving and talking like winter's molasses.
    Mother's boyfriend, Mr. Freeman, lived with us, or we lived with him (I never quite knew which). He was a Southerner, too, and big. But a little flabby. His breasts used to embarrass me when he walked around in his undershirt. They lay on his chest like flat titties.
    Even if Mother hadn't been such a pretty woman, light-skinned with straight hair, he was lucky to get her, and he knew it. She was educated, from a well-known family, and after all, wasn't she born in St. Louis? Then she was gay. She laughed all the time and made jokes. He was grateful. I think he must have been many years older than she, but if not, he had the sluggish inferiority of old men married to younger women. He watched her every move and when she left the room, his eyes allowed her reluctantly to go.
    CHAPTER 11
    I had decided that St. Louis was a foreign country. I would never get used to the scurrying sounds of flushing toilets, or the packaged foods, or doorbells or the noise of cars and trains and buses that crashed through the walls or slipped under the doors. In my mind I only stayed in St. Louis for a few weeks. As quickly as I understood that I had not reached my home, I sneaked away to Robin Hood's forest and the caves of Alley Oop where all reality was unreal and even that changed every day. I carried the same shield that I had used in Stamps: "I didn't come to stay."
    Mother was competent in providing for us. Even if that meant getting someone else to furnish the provisions. Although she was a nurse, she never worked at her profession while

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