am exhausted from all the talking and feel a little bewildered and alone. I fall into a deep sleep and am awoken by someone saying, âLunch.â
âI think Iâll pass today. I donât much feel like it.â
âOkay, weâll save it.â
Waris comes in. For the first time today I notice her bright orange top. Sheâs also wearing a red necklace. It looks as if it must weigh a tonne. She sits on my bed and says, âAre you okay?â
I sit up and put the pillow behind my back against the wall. âYeah, Iâm sweet, just a bit tired.â
Waris looks excited. âWe are starting you on new meds tonight.â
âGreat,â I say sarcastically, âcanât wait. I just want to get out of here, Waris.â
She puts her hand on my leg. âYou will, darling, you just need to stabilise on these meds and let them work, and then you will need a period of recovery once youâre out of here.â
I look away, frustrated. âHow long will that take?â
âItâs different for everyone. Now, you know your mother is coming today.â
âYeah, yeah, I donât want her toâsheâll just get upset.â
âIt would be really good if you could talk to her. She loves you, MaryJane.â
I start to get out of bed. âI need a coffee.â
Waris stands up and says, âWhat about lunch?â
I screw up my face. âNah, donât feel like it.â
âWell, maybe I take you down to the bakery later, when itâs not so busy. I have a lot of paperwork to do.â
âOkay, that would be nice. I can get some more cigarettes and tomatoes.â
Waris leaves the room. I feel better for having spoken to her.
4
Â
The time of being sick seems to have extended forever. I have lost all semblance of an ordinary life. When I am low I sometimes get a great sense of loss, and I obsess over it to the point where it really screws me up. I start fantasising about death because thatâs the only thing that brings a little hope.
As I go to make another coffee the voice starts talking to me. âSheâs not your real mother. You donât need to speak to her.â
âYeah, but I look like her, and Iâm deaf and so is she.â
âYou werenât born deaf. They pulled out your eardrums when you were a child.â I start getting visual imagery of my eardrums being taken out, then aural delusions of my screaming with pain.
âDonât worry. Iâm going to come and see you. I want you to text me.â
âBut I donât want to text you or ring you.â
âWell, you canât go back to your motherâs. She abuses you, and so does your father. She beats you up every day and your father used to rape you with a knife. Thatâs why you bleedâitâs not a period. You have never healed properly and you get bleeds from your AIDS. They hate you.â
âI had a nice childhood.â
âPeople with nice lives donât end up in here.â
I crouch in the corner of my room and cry, then I pick up my guitar and write a song, âMy father, my real fatherâ. I imagine I donât know who my father is, so I sing to my first father, God: âHe listens to me.â I write what I think a man who loved me might write. I have a feeling of real loneliness and inability to escape. The only way I can leave is to go home, and if what my voice is saying is true thatâs not an option.
I get off my bed feeling better for having written a song and decide itâs time for a coffee and a cigarette. I go into the dining room, which is packed. All the tables are full of people crouching over their bowls, protecting their food. I squeeze through to get some coffee. Mark is eyeing me, making sure Iâm not taking the Milo.
I fill up my cup by the nursesâ station and make my way outside. I see the P30 sign in the car park and take it to mean I should smoke three
Jill Myles, Jessica Clare